Entertainment
We Expect ‘Deadpool & Wolverine’ to Have the Highest Opening Among all R-Rated Films.
(VOR News) – The “Merc with a Mouth” will return to the big screen in Deadpool & Wolverine this weekend, and his contribution to Disney’s Marvel Cinematic Universe extends beyond his R rating.
“Deadpool & Wolverine,” the third standalone feature film featuring Ryan Reynolds as the regenerative reprobate, is expected to gross between $160 million and $180 million in its opening weekend at the domestic box office.
The movie has already surpassed the greatest number of ticket pre-sales in 2024, according to data provided by Fandango. It is anticipated that it will break numerous records during its opening weekend.
Most noteworthy among these accomplishments is the most successful premiere for an R-rated film in history, as well as the largest domestic opening of 2024.
Disney and Pixar’s “Inside Out 2” has achieved the highest opening of the year with a total of $154.2 million, as per the data provided by Comscore.
Additionally, the first “Deadpool” film has achieved the highest début for any R-rated feature film with a total of $132.4 million.
Mike Bowers, the president and CEO of Harkins Theatres, a theatre corporation located in Arizona, stated, “I am confident that this will be the largest R-rated film to ever be released if it is released.” Furthermore, it is already one of the most successful presale films in the annals of our company.
“Deadpool & Wolverine” was initially rated R because of its trailer.
It is also the 34th Deadpool & Wolverine film to be released under the Marvel Cinematic Universe banner. The two Deadpool films that preceded it, both of which were rated R, were produced and distributed by 20th Century Fox.
The reintroduction of the X-Men and Fantastic Four into the broader Marvel catalogue was the consequence of Disney’s acquisition of the corporation in 2019.
Similar to other Marvel Cinematic Universe films, “Deadpool & Wolverine” is benefiting from the enthusiasm of its audience.
Audiences are anxious to view the film during its opening weekend in order to prevent spoilers. Disney has maintained the confidentiality of the majority of the film’s content, and only a limited number of press screenings have been conducted prior to the film’s release.
Bowers anticipates that individuals will continue to return for additional viewings in the weeks following the film’s premiere.
He made the observation that “this is a film that there is so much happening, so many jokes and funny sequences that no one is going to be able to eat just one, you know, they’re going to be back.”
Ellis Jacob, the president and chief executive officer of Cineplex, the largest cinema theatre operator in Canada, echoed Bower’s viewpoint. Jacob asserted that “Deadpool & Wolverine” is replete with Easter eggs and that viewers will revisit the film to attempt to locate them all.
Furthermore, he stated that a substantial number of moviegoers are purchasing tickets for premium screenings, such as IMAX, Dolby, and ScreenX, which are more expensive.
Additionally, Marvel has collaborated with movie theatres to grant licenses for items such as collector popcorn tubs and drink containers, which the theatre operators anticipate will be in high demand.
Historically, concessions have been the most profitable revenue source for movie theatres, and the presence of limited-edition products can result in even greater sales of food and beverages.
” Deadpool & Wolverine” is an essential Marvel release.
Shawn Robbins, Deadpool & Wolverine the inventor and owner of Box Office Theory, announced that Disney had “slowed down the pace” and had scheduled fewer films in the series that has dominated the global box office for over a decade. Box Office Theory is also associated with Robbins.
He stated that Disney is making an effort to correct the course after a series of theatrical errors and poor box office performance, as well as a flood of streaming content that overwhelmed even the most devoted fans of the Marvel Cinematic Universe.
Robbins pointed out that “in the end, despite the fact that this is a Marvel movie, it may be viewed equally as a midsummer action comedy that stars personalities and brands that are loved by both die-hard fans and casual viewers.”
The fact that Reynolds and Jackman have both made a name for themselves in Deadpool & Wolverine popular culture and have maintained a cordial relationship through interviews and social media makes them an ideal pairing.
Likewise, there is genuine curiosity regarding the first R-rated film in the Marvel Cinematic Universe and whether it will retain the qualities that made the first two Deadpool films and [Jackman’s 2017 Wolverine film] Logan so successful.
SOURCE: CNBC
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Entertainment
Tim Burton’s ‘Beetlejuice Beetlejuice’ a Box Office Success Gets 4.5 Stars
Beetlejuice Beetlejuice preview reportedly made $13 million for Warner Bros. Fans gave it 4.5 stars on Comscore/Screen Engine’s PostTrak, while both parents and children under the age of 12 gave it 5 stars.
The sequel has a current budget of $90 million, with room to grow.
The sequel starring Michael Keaton, Jenna Ortega, and Winona Ryder had 59% female attendees, with 73% of those attendees being 25 and older. In terms of gender, 62% of the children were girls and 38% were boys. Last night, the Latino and Hispanic community had an impressive showing at 36% of the total audience.
According to Yahoo Entertainment, Beetlejuice Beetlejuice social media reach With 508.6 million followers across TikTok, Facebook, X, YouTube, and Instagram combined, Beetlejuice is 41% ahead of the norm for the action comedy sci-fi genre.
“Jenna Ortega has stunned her 38.2 million Instagram followers with 103.1 million views, while Michael Keaton has 1.58 million and Willem Dafoe has 155 thousand,” the social media analytics company adds.
Beetlejuice Beetlejuice a Remarkable Sequel
Additionally, they mention, “Convo for Beetlejuice Beetlejuice A remarkable feat for a sequel, Beetlejuice has received mostly good reviews from audiences who have praised the film for its originality and sense of purpose. ‘At first, I thought this was another Scream movie, then I thought it was the Wednesday Season 2!’ A number of fans, including new viewers, are ecstatic to see Jenna Ortega in a horror film.
According to fans of the 1988 original, “My inner child from the 80’s is screaming!” when asked about the style of Jenna Ortega’s flicks. I’m more pumped up for this movie than any other! “I admire the practical effects and the attempts to make it look like the old movie!!” is one commenter’s praise for the show’s expert production values and impressive use of special effects.
You can count on seeing a plethora of costumed fans at the movies this weekend.
A large number of collectible concessions are also available. Beetlejuice jack-in-the-box popcorn buckets are available at Cinemark, competing with Sandworm and Wolverine
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Entertainment
Trump film ‘The Apprentice’ finds distributor and will open before the election
NEW YORK — Trump Film | After failing to generate interest following its Cannes Film Festival screening, “The Apprentice,” starring Sebastian Stan as a teenage Donald Trump, has found a distributor who intends to release the film right before the election in November.
Director Ali Abbasi, a Danish-Iranian filmmaker, had prioritized releasing “The Apprentice” in theatres before electors voted. After major studios and film distributors declined to bid on the project, Abbasi complained on X in early June that “for some reason certain power people in your country don’t want you to see it!!!”
Trump film ‘The Apprentice’ finds distributor and will open before the election
In a statement issued Friday, Steven Cheung, the Trump campaign’s communications director, described the film’s release as “election interference by Hollywood elites right before November.”
“This ‘film’ is pure malicious defamation, should never see the light of day, and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a skip fire,” Cheung tweeted.
The prospect of legal action was one factor that decreased interest in “The Apprentice”. After the film’s Cannes premiere in May, Cheung labeled it “pure fiction” and stated that the Trump team would pursue a lawsuit “to address the blatantly false assertions from these pretend filmmakers.”
“The Apprentice” follows Trump’s rise to dominance in New York real estate, guided by defense attorney Roy Cohn (Jeremy Strong). Late in the film, Trump is seen raping his wife, Ivana Trump (portrayed by Maria Bakalova). In her 1990 divorce deposition, Ivana Trump alleged Donald Trump raped her. Trump rejected the claim, and Ivana Trump later clarified that she did not mean it literally but rather that she felt violated.
Abbasi has stated that Trump might not despise the film.
Trump film ‘The Apprentice’ finds distributor and will open before the election
“I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign,” Abbasi stated during the May election.
Briarcliff Entertainment has published several films, including the 2022 documentary “Gabby Giffords Won’t Back Down” and the Liam Neeson thriller “Memory.” The indie distributor is led by Tom Ortenberg, who helped Lionsgate distribute Michael Moore’s “Fahrenheit 9/11” and, as CEO of Open Road, supported the best picture Oscar winner “Spotlight.”
SOURCE | AP
Entertainment
Hanumankind: The Indian Rapper Who Overtook Kendrick Lamar on Global Music Charts
In a remarkably short span, Indian rapper Hanumankind has made a significant mark on the country’s emerging hip-hop scene.
His track “Big Dawgs” has not only topped global charts but also briefly overshadowed Kendrick Lamar’s diss track “Not Like Us.” The BBC delves into the extraordinary ascent of Hanumankind, whose real name is Sooraj Cherukat.
At 31, Cherukat, also known as Hanumankind, radiates an electrifying presence in the “Big Dawgs” music video.
Filmed in a maut ka kuan—a dramatic performance space where drivers execute gravity-defying stunts inside a colossal wooden barrel—Cherukat commands the scene with an intense energy, surrounded by daring drivers zipping past him.
The track, a collaboration with producer Kalmi Reddy and director Bijoy Shetty, has amassed over 132 million streams on Spotify and 83 million views on YouTube since its release in July, propelling Cherukat to international fame.
On the surface, Cherukat’s music follows the hip-hop tradition of portraying gritty street narratives through raw, explicit lyrics. However, a deeper look reveals a rapper navigating his multifaceted identity through his art.
The Roots of Hanumankind’s Sound
Born in Kerala, Cherukat’s childhood was a global journey due to his father’s work with a major oil company, leading him to live in France, Nigeria, Egypt, and Dubai. His formative years in Houston, Texas, were crucial in shaping his musical career.
Houston’s hip-hop scene is unique, known for its distinctive “screwed-up” remix style influenced by the local use of cough syrup. Cherukat has often cited Texas hip-hop legends like DJ Screw, UGK, Big Bunny, and Project Pat as major influences.
Although his style reflects this heritage, it has evolved since his return to India in 2021 after dropping out of college.
Having earned a business degree and worked with firms like Goldman Sachs, Cherukat left the corporate world to pursue rap full-time, a passion he had previously juggled alongside other commitments.
Cherukat’s music reflects his attempt to reconcile his cosmopolitan experiences with his Indian roots. His tracks often highlight the struggles of southern Indian street life, combining intense vocal delivery with engaging rhythms.
His song “Genghis,” filmed in Bengaluru, critiques national issues through a gritty lens.
Challenging Rap Norms and Navigating Criticism: Hanumankind’s Unique Path
In “Big Dawgs,” Cherukat diverges from the typical rap glorification of wealth, focusing instead on small-town stunt performers from impoverished backgrounds. “These are the people that are the real risk-takers…Those are the big dogs, for real,” he told Complex.
Despite his innovative approach, Cherukat faces criticism. Some argue that his English lyrics may limit his appeal to non-English-speaking Indian audiences and that his style too closely mirrors Western artists.
Abid Haque, a PhD student, believes that while Cherukat’s inclusion of South Asians in the Western rap scene is notable, his music sometimes feels disconnected from Indian reality.
Cherukat himself navigates this duality. He views his return to India as a way to explore his sense of belonging. “I think it really moulded me as someone who never really had a place to call home… and that kind of shaped the way I perceive music, people, and culture,” he explained.
Yet, he also embraces a broader perspective: “I’m not an Indian rapper, but I’m a rapper from India,” indicating his position outside the traditional Indian hip-hop scene.
Hanumankind’s unique style has attracted both admiration and criticism, often encountering resistance from listeners who struggle to categorize him. His distinct approach and refusal to conform to expectations have, however, resonated with many fans.
“He isn’t trying to cater to an Indian audience, which shows in his music, and he is unapologetic about it,” said Arnab Ghosh, a Delhi-based psychiatrist.
Cherukat’s journey, marked by his adaptability and dedication to authenticity, represents both a triumph and a challenge. As he continues to break boundaries and redefine expectations, Hanumankind remains a compelling figure in the global hip-hop landscape.
“You keep certain things as your roots, but it’s up to you to adapt to the environment and go with the flow, as long as you don’t compromise on integrity,” he once said, capturing the essence of his remarkable career.
Source: BBC
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