Entertainment

The Flash’ Grosses $55 Million in the First Three Days

Published

2 years ago

2023-06-19

According to studio estimations, DC and Warner Bros.’ long-awaited superhero film “The Flash” grossed $55 million in its first three days in North American theaters.

Though a big increase over DC’s previous movie, the “Shazam!” sequel, and enough for a first-place start, it’s nevertheless muted by superhero standards, where $100 million premiere weekends are nearly usual. Pixar had its lowest three-day opening ever this weekend with a $29.5 million debut for “Elemental.”

Overall, it was a busy weekend at the multiplex. Along with “The Flash” and “Elemental,” the horror-comedy “The Blackening” debuted. Wes Anderson’s spectacular “Asteroid City” garnered $720,000 from just six theatres and the distinction of having the highest per-theater average ($132,211) since the pandemic began.

More obstacles awaited “The Flash” than market conditions. Along with “The Flash” and “Elemental,” the horror-comedy “The Blackening” debuted. It has frequently made news in the previous year, not because of the film itself, but because of its star, Ezra Miller’s, off-screen problems, which have included arrests, unpredictable behaviour, and claims of misconduct.

Miller has apologized and stated that he and his wife are receiving mental health therapy. Except for the premiere, they also declined to participate in the usual press tour.

Michael Keaton as Batman in The Flash

The studio’s leadership remained optimistic about the $200 million film’s release, confident in its quality and significance to future DC Studios plots. The film establishes the universe, allowing Michael Keaton’s Batman to reappear in a film that also included Ben Affleck’s Batman.

Analysts predicted that “The Flash” would earn at least $70 million in its first three days, despite playing at 4,234 sites across the country. It is now expected to earn $64 million in its first four weeks, including Monday’s Juneteenth holiday. It made $75 million internationally, giving it a $139 million global start.

“I think Warners did a fantastic job of dealing with the situation they had,” said Paul Dergarabedian, senior media analyst at Comscore. “It’s a fascinating case study of what can happen when the title character of a major motion picture is embroiled in public controversies.” However, it is difficult to reverse engineer it to determine what effect it may have had.”

Another impediment was that some of the key promotional sources — late night talk shows — were still closed due to the Writers Strike. Also, knowing that DC is having a huge reset, fans may have decided to move on and wait.

Critics were split, although the film received a 67% on Rotten Tomatoes. Despite some “breezily clever and entertaining” moments, the AP’s Jocelyn Noveck said in her review that “the final act bogs down in what feels like an endless, generic CGI battle and a kitchen-sink resolution.”

Audiences polled for CinemaScore only awarded the film a B, which has historically not been good news for word-of-mouth and longevity.

However, there is a bit of a break in the schedule before the next major movie, “Indiana Jones and the Kingdom of the Crystal Skull,” which releases on June 30. The biggest releases next week are the R-rated Jennifer Lawrence comedy “No Hard Feelings” and the nationwide expansion of “Asteroid City.”

“Elemental” receives positive reviews

“Elemental” came in second with an estimated $29.5 million from 4,035 North American sites, a new low for Pixar’s three-day openers. Previously, the honour belonged to “The Good Dinosaur” and “Onward,” both of which debuted at $39 million.” Pixar’s previous lows were “The Good Dinosaur” and “Onward,” both of which debuted at $39 million.

“Elemental” received positive reviews from reviewers (76% on Rotten Tomatoes) and audiences (A CinemaScore). According to the Associated Press’ Jake Coyle, it’s “probably in the lower half” of the Pixar canon, but because it’s “sincere and clever, with a splash of dazzle,” it “comes closer to rekindling some of the old Pixar magic than some recent entries.” “Elemental” grossed $44.5 million worldwide, including $15 million from 17 international regions.

“Spider-Man: Across the Spider-Verse” came in third place with $27.8 million in its third weekend. Sony anticipates that its domestic total will have reached $285 million by Monday.

It’s probable that Spider-Man’s powerful holding power — backed by positive reviews and word of mouth — ate into “Elemental’s” premiere, according to Dergarabedian. Both are rated PG-13.

“Transformers: Rise of the Beasts” fell 67% in its second weekend, adding $20 million to finish fourth. “The Little Mermaid” finished fifth in its fourth weekend with $11.6 million.

The Blackening grossed $6 million

“The Blackening” was the other big release this weekend, providing some counter programming to the bigger branded releases with an original horror-comedy about a bunch of Black friends who get together for a weekend away and end up on the run from a killer.

After receiving great reviews at the Toronto International Film Festival, Lionsgate and MRC purchased the $5 million film from director Tim Story. “The Blackening” grossed an estimated $6 million in 1,775 theatres.

“This is a fantastic weekend for movie theatres because there’s a depth and breadth of content that’s amazing, but that means they’re sharing the wealth,” Dergarabedian said. “The overall box office was extremely strong.” However, it is creating a highly competitive climate.”

“Asteroid City” was an undeniable highlight of the limited edition. To assist entice crowds, Focus Features set up “Asteroid City” pop-up experiences in theatres in New York and Los Angeles.

“Wes Anderson is the pinnacle of genre film-making.” “He’s the Marvel,” said Lisa Bunnell, president of distribution at Focus. “This is a great shot in the arm for art theatres.”

Next week, “Asteroid City” expands from 6 to around 1,500 theatres.

“After COVID, we’re trying to do things that are out of the box,” Bunnell explained. “We feel like you need a new playbook to get speciality films back on track.”

Comscore estimates ticket sales for Friday through Sunday for US and Canadian theatres. The final domestic data will be provided on Monday.

Entertainment

Superman 2025 Trailer Drops With Great Fanfare

Published

1 day ago

2024-12-19

Geoff Brown

James Gunn's next film, Superman 2025, has its first teaser trailer, which dropped on Thursday

James Gunn’s next film, Superman 2025, has its first teaser trailer, which dropped on Thursday. It gives DC fans their first look at David Corenswet’s Superman, AKA Clark Kent and Lois Lane.

Before its release, DC Studios unveiled a Superman 2025 enamel pin on Monday featuring a revamped Corenswet in her superhero costume and an updated depiction of Pierce Brosnahan’s daring reporter on Wednesday.

In 2025, Superman fans will be able to enjoy Gunn’s new storytelling, a new main actor, and more character development. Many are also curious about whether Superman will face Ultraman.

The preview opens with Superman, battered and bloodied, crash-landing in a desolate, icy scene. His canine sidekick, Krypto, also known as Super Dog, rushes to his aid after he has visions of himself as Clark in the Daily Planet office and at his parents’ house.

The trailer offers few storyline details, aside from the involvement of a fire-breathing dragon and the shaved-head Nicholas Hoult as Lex Luthor. It seems that Superman 2025 also attracts the ire of the general public; one irate citizen even beaned him on the back of the head with a throwaway cup.

After revealing his grand vision for the newly formed DCU in 2023, Gunn’s film—originally named Superman: Legacy—would serve as the prequel to a trilogy dubbed Chapter One: Gods and Monsters. The sequels will feature films centred around Supergirl, Clayface, and Swamp Thing.

Krypto Appears in Superman 2025

Despite living among other super-beings, Gunn noted that Corenswet’s Superman can stand on Earth due to his devotion and honesty.

In addition to his enormous stronghold that emerges from the ground, Superman possesses a flying dog and battles enormous creatures. The director praised Superman in his film for bringing elements from the comics and mythology that fans have been missing from the superhero franchise.

He may have done it again with Krypto, this time with a take that challenges the canine stereotype of a muscular, well-groomed hero.

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A post shared by James Gunn (@jamesgunn)

More than anything else, this one appears to be a rescue operation. According to Gunn, the dog that steals the show in the trailer isn’t the greatest. You’re missing out on much of Krypto’s depth in this trailer.

According to Gunn, “it’s a movie about kindness” when asked about the film’s themes.

In the 2025 teaser for Superman, Superman only says, “Take me home,” and whispers Krypto’s name. John Williams’s iconic score from the Christopher Reeve films gets a modern update to underscore the video.

Superman 2025, the first solo film starring Superman since 2013’s Man of Steel, opens on July 11, and a lot is riding on it.

The property is the foundation for the ambitious plans of DC Studios co-chiefs Gunn and Peter Safran, who were appointed to re-invent DC by Warner Bros. Discovery CEO David Zaslav. Their plans include an entire universe of television shows and films.

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Entertainment

iBomma Telugu Movies Are Gaining Popularity in Canada

Published

2 days ago

2024-12-18

Salman Ahmad

Subtitles have made Telugu movies available to non-Telugu-speaking Canadians

iBomma, an online portal offering Telugu movies, has found unexpected development in Canada. Many Indio-Canadians are streaming foreign films, enticed by the genre-blending nature of Telugu films.

Telugu-speaking immigrants make up a sizable proportion of Canada’s South Asian population. Telugu films provide these people with a link to their birthplace.

Platforms such as iBomma allow users to quickly access the most recent releases without waiting for DVDs or other means of distribution.

Platforms such as Reddit, Instagram, and WhatsApp have helped iBomma gain popularity. Fans frequently post free movie links or discuss future Telugu releases, generating buzz. This word-of-mouth marketing attracts additional users to sites like iBomma, increasing Canadian viewership.

Telugu Movies Display India Culture

Social influencers have also had an impact. This increased enthusiasm is seen in YouTube channels evaluating Telugu movies and Instagram clips showing Tollywood dance numbers. Many consumers watch Telugu films on their mobile devices, reducing the need for traditional cable subscriptions.

Furthermore, subtitles have made Telugu movies available to non-Telugu-speaking Canadians. With English as the primary language in Canada, this function allows for a more seamless watching experience. The global enthusiasm for Indian regional cinema is growing, and Canada has emerged as a surprising hotbed for cultural interchange.

Apps and platforms that cater to certain hobbies, such as Telugu films, are here to stay, assuming they strike the correct balance.

iBomma’s success in Canada demonstrates Telugu cinema’s global appeal. These films have won the hearts of Canadians with their fascinating storylines, relatable emotions, and jaw-dropping action.

While debates about legality and piracy continue, iBomma’s contribution to propagating Telugu Movie culture worldwide is obvious. Whether it’s a blockbuster like Pushpa 2 or a lesser indie treasure, platforms like iBomma take localized stories worldwide.

As Canadians continue to discover the enchantment of Tollywood, one thing is clear: language and distance cannot limit great storytelling.

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Entertainment

28 Years Later Trailer Drops: 22 Years After it Debuted

Published

1 week ago

2024-12-11

Geoff Brown

The much-anticipated trailer for 28 Years Later has officially dropped

The much-anticipated trailer for 28 Years Later is finally here, reuniting legendary director Danny Boyle and writer Alex Garland. It’s been 22 years since 28 Days Later debuted.

The latest picture stars Killing Eve’s Comer, The Fall Guy’s Aaron Taylor-Johnson, and Conclave’s Ralph Fiennes. In the teaser, all three are seen fighting zombies.

It’s been nearly three decades since the fury virus escaped a biological weapons facility, and although some have discovered ways to survive among the afflicted, others remain under strict isolation.

One such group of survivors lives on a small island linked to the mainland by a single, heavily fortified causeway. When one of the gang members departs the island on a journey to the dark centre of the mainland, he discovers mysteries, wonders, and horrors that have changed not just the infected but also other survivors.

Although the teaser doesn’t reveal much, some fans are already predicting that Cillian Murphy’s Jim, the protagonist of the previous film, may return to a surprising position for this sequel.

The speculation is that one of the zombies in the trailer is Jim, though this has not been proven. Murphy is a producer in the picture, although he is unlikely to play a substantial role on screen.

It’s feasible that Jim is hidden as a zombie in plain sight.

The film’s summary describes a dismal but intriguing story. Decades after the Fury virus escaped a biological weapons facility, quarantine is still a cruel reality. Survivors are clinging to life on a small island connected to the mainland by a single, reinforced causeway.

When members of this colony travel to the mainland, they encounter mutated horrors—both infected and human—that blur the distinction between monster and survivor.