Entertainment
‘Terrifier 3’ Slices ‘Joker’ To Claim No. 1 At The Box Office, While Trump’s Picture ‘The Apprentice’ Fails.
(VOR News) – The weekend’s terrifier movies included Joaquin Phoenix as the Joker, a Trump biopic, a “Saturday Night Live” origin story, and Pharrell Williams as Lego. Ax-wielding jester defeats all.
Cineverse’s low-budget, violent slasher “Terrifier 3,” grossed $18.3 million on Sunday, dominating the weekend box office. In this sequel to 2022’s “Terrifier 2” ($15 million worldwide in ticket sales), the deadly Art the Clown (David Howard Thornton) returns as Santa over Christmas.
“Joker: Folie à Deux” was a failure, while “Terrifier 3” outperformed large firms and received nominations.
Warner Bros.’ “Joker” sequel, starring Phoenix and Lady Gaga, dropped 81% to $7.1 million in its second weekend after a dismal opening weekend and a “D” CinemaScore.
Superhero films rarely decrease. The second weekends of “The Marvels,” “The Flash,” and “Shazam Fury of the Gods” had higher ratings. This level of popular and critical condemnation is rare for a 2019 “Joker” sequel. With a $60 million budget, Phillips and Phoenix’s film grossed over $1 billion worldwide.
The $200 million sequel costs more. This means “Joker: Folie à Deux” will lose money at the box office. Global ticket sales total $165.3 million.
This weekend was unusual, according to Comscore senior media analyst Paul Dergarabedian. If you asked someone a month or week ago, would ‘Terrifier 3′ have been the most successful major-studio film and awards contender? This film shows how audiences choose box office champions.
Due to the “Joker” decrease, Universal Pictures and DreamWorks’ animated picture “The Wild Robot” came second in its third weekend with $13.4 million. Due to positive reviews, Chris Sanders’ adaptation of Peter Brown’s novel, starring Lupita Nyong’o as the android protagonist, earned $83.7 million domestically and $148 million abroad.
“The Apprentice,” distributed by Briarcliff Entertainment in 1,740 theaters, opened on the 10th and grossed $1.6 million. Donald Trump stars in the young film. Even with modest expectations, the Republican nominee’s election-year origin narrative failed to engage viewers.
Headlines could have helped sell seats for Ali Abbasi’s picture. From its Cannes Film Festival premiere to its last-minute release weeks before the election, “The Apprentice,” starring Sebastian Stan as Trump and Roy Cohn (Jeremy Strong) as his mentor, has grabbed attention.
The Trump team branded Terrifier as “election interference by Hollywood elites.”
Abbasi’s 1970s and 1980s films addressed political film hunger in election years. Major studios and niche labels declined to make a Trump film because they feared it would alienate liberal and conservative fans. For Strong and Stan to make an impression in cinemas before the election, “The Apprentice” needs an awards discussion.
Jason Reitman’s “Saturday Night” was poorly distributed nationwide. Gabriel LaBelle’s Lorne Michaels earned $3.4 million in 2,288 theaters. Sony Pictures’ publication of the backstage turmoil before the 1975 NBC sketch comedy show’s launch may require more viewers to survive this awards season.
Pharrell Williams’ Lego-animated documentary-biopic “Piece by Piece” intended to broaden its audience. The Focus Features picture, directed by Morgan Neville (“20 Feet From Stardom,” “Won’t You Be My Neighbor?”), grossed $3.8 million in 1,865 theaters.
“Piece By Piece” was a good documentary despite its tiny Lego animated film premiere. The weekend’s highest CinemaScore and audience “A” film, “Piece By Piece,” may stay in theaters for weeks. Despite a $16 million budget, “Piece by Piece” may be the year’s highest-grossing documentary.
The touching drama “We Live in Time,” starring Florence Pugh and Andrew Garfield, opened in five theaters with one of the year’s highest per-theater averages. The A24 film, which opens nationally next weekend, earned $255,911 and averaged $51,000 per screen.
Another example of Hollywood’s collapse is Warner Bros.’ “Beetlejuice” ($7.1 million in six weekends despite premiering on VOD). This autumn has been disappointing with films like “Joker: Folie à Deux” and “Megalopolis.” Cheap horror, like “Terrifier 3,” remains available in theaters.
Taylor Swift’s “The Eras Tour” boosted the box office last year. According to Comscore, this weekend’s attendance was 45% lower than last year.
US and Canadian Friday- Comscore Terrific forecast theatrical ticket sales for Sunday.
The final domestic figures are due on Monday.
1. $18.3 million FOR “Terrifier 3.”
2. “The Wild Robot,” $13.5m.
3. “Joker: Folie à Deux,” $7.1m.
4. “Beetlejuice Beetlejuice,” $7.1m.
5. “Piece by Piece,” $3.8 million.
6. “Transformers One,” $3.7m.
7. “Saturday Night,” $3.4M.
8. “You’re Next: My Hero Academy,” Dollars three million.
9. “The Nightmare Before Christmas,” $2.3 million.
10. “The Apprentice,” $1.6m.
SOURCE: AP
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Entertainment
Streaming of iBOMMA Telugu Movies Surges in Canada
In recent years, iBOMMA Telugu Movies have emerged not only as a leader, but as one of the most important platforms for streaming Telugu movies in Canada. In the midst of the increase in the international establishment of streaming services in the western sphere.
This rapid expansion of Telugu Movies can also be seen in the demand for regional content due to the increasing South Asian population within Canada.
The growth of the iBOMMA platform makes sense as there is a large population of Telugu speakers in Canada. The growing South Asian population in cities like Toronto, Vancouver, Calgary and others has aided in the diversification of the market and similar platforms.
“Between 2013 and 2023, Indians immigrating to Canada rose from 32,828 to 139,715, an increase of 326%,” according to Forbes.
Indian enrollment at Canadian universities rose more than 5,800% in the last two decades, from 2,181 in 2000 to 128,928 in 2021, an increase of 126,747 students.
Between 2016 and 2019, Indian international students enrolled in U.S. universities dropped by 13% but increased by 182% at Canadian universities. Diplomatic issues between India and Canada have reduced Indian student visa approvals in the short term.
International student enrollment at Canadian universities rose from 62,223 in 2000 to 400,521 in 2021, increasing by 544%, according to the NFAP analysis. International student enrollment in America increased by 45% between 2000 and 2021.
Due to the increase in Telugu speaking people in Canada, streaming services for Telugu Canadians have shifted focus from entertainment to a tool to maintain their culture. With iBOMMA and its peers, they are able to stay in touch with a piece of their motherland while adapting to the realities of life in the Great White North.
Telugu cinema has started to grow in popularity outside of India, with several recent classics gradually starting to become of interest to the general populace. RRR and Kantara are among a slew of movies that are now finding success on a global stage, thus generating interest in films originating from the region.
This has in turn brought new customers onto iBOMMA Telugu Movies and introduced the platform to a whole new demographic of non Telugu – speakers.
In Canada these blockbusters have sparked some discussions and fans expressing their excitement on social media. The buzz around such films has often caused an increase in searches for options to stream the film, with iBOMMA Telugu Movies being a top.
Up Coming iBOMMA Telugu Movies for 2025
Movie | Release Date |
---|---|
Game Changer | Jan 10, 2025 |
Vidaamuyarchi | Jan 10, 2025 |
Daaku Maharaaj | Jan 12, 2025 |
Sankranthiki Vasthunnam | Jan 14, 2025 |
Thandel | Feb 07, 2025 |
Laila | Feb 14, 2025 |
#K10 | Feb 2025 |
Robinhood | Feb 2025 |
L2E (Dub) | March 27, 2025 |
Hari Hara Veera Mallu Part 1 | March 28, 2025 |
VD12 | March 28, 2025 |
JACK | April 10, 2025 |
Ghaati | April 18, 2025 |
Kannappa | April 25, 2025 |
HIT 3 | May 01, 2025 |
The Raja Saab | Summer 2025 |
Thug Life (Dub) | June 5, 2025 |
Kantara Chapter 1 | Oct 02, 2025 |
#NTRNeel | Jan 09, 2026 |
Chhatrapati Shivaji Maharaj (dub) | Jan 21, 2027 |
Entertainment
Superman 2025 Trailer Drops With Great Fanfare
James Gunn’s next film, Superman 2025, has its first teaser trailer, which dropped on Thursday. It gives DC fans their first look at David Corenswet’s Superman, AKA Clark Kent and Lois Lane.
Before its release, DC Studios unveiled a Superman 2025 enamel pin on Monday featuring a revamped Corenswet in her superhero costume and an updated depiction of Pierce Brosnahan’s daring reporter on Wednesday.
In 2025, Superman fans will be able to enjoy Gunn’s new storytelling, a new main actor, and more character development. Many are also curious about whether Superman will face Ultraman.
The preview opens with Superman, battered and bloodied, crash-landing in a desolate, icy scene. His canine sidekick, Krypto, also known as Super Dog, rushes to his aid after he has visions of himself as Clark in the Daily Planet office and at his parents’ house.
The trailer offers few storyline details, aside from the involvement of a fire-breathing dragon and the shaved-head Nicholas Hoult as Lex Luthor. It seems that Superman 2025 also attracts the ire of the general public; one irate citizen even beaned him on the back of the head with a throwaway cup.
After revealing his grand vision for the newly formed DCU in 2023, Gunn’s film—originally named Superman: Legacy—would serve as the prequel to a trilogy dubbed Chapter One: Gods and Monsters. The sequels will feature films centred around Supergirl, Clayface, and Swamp Thing.
Krypto Appears in Superman 2025
Despite living among other super-beings, Gunn noted that Corenswet’s Superman can stand on Earth due to his devotion and honesty.
In addition to his enormous stronghold that emerges from the ground, Superman possesses a flying dog and battles enormous creatures. The director praised Superman in his film for bringing elements from the comics and mythology that fans have been missing from the superhero franchise.
He may have done it again with Krypto, this time with a take that challenges the canine stereotype of a muscular, well-groomed hero.
More than anything else, this one appears to be a rescue operation. According to Gunn, the dog that steals the show in the trailer isn’t the greatest. You’re missing out on much of Krypto’s depth in this trailer.
According to Gunn, “it’s a movie about kindness” when asked about the film’s themes.
In the 2025 teaser for Superman, Superman only says, “Take me home,” and whispers Krypto’s name. John Williams’s iconic score from the Christopher Reeve films gets a modern update to underscore the video.
Superman 2025, the first solo film starring Superman since 2013’s Man of Steel, opens on July 11, and a lot is riding on it.
The property is the foundation for the ambitious plans of DC Studios co-chiefs Gunn and Peter Safran, who were appointed to re-invent DC by Warner Bros. Discovery CEO David Zaslav. Their plans include an entire universe of television shows and films.
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Entertainment
iBomma Telugu Movies Are Gaining Popularity in Canada
iBomma, an online portal offering Telugu movies, has found unexpected development in Canada. Many Indio-Canadians are streaming foreign films, enticed by the genre-blending nature of Telugu films.
Telugu-speaking immigrants make up a sizable proportion of Canada’s South Asian population. Telugu films provide these people with a link to their birthplace.
Platforms such as iBomma allow users to quickly access the most recent releases without waiting for DVDs or other means of distribution.
Platforms such as Reddit, Instagram, and WhatsApp have helped iBomma gain popularity. Fans frequently post free movie links or discuss future Telugu releases, generating buzz. This word-of-mouth marketing attracts additional users to sites like iBomma, increasing Canadian viewership.
Telugu Movies Display India Culture
Social influencers have also had an impact. This increased enthusiasm is seen in YouTube channels evaluating Telugu movies and Instagram clips showing Tollywood dance numbers. Many consumers watch Telugu films on their mobile devices, reducing the need for traditional cable subscriptions.
Furthermore, subtitles have made Telugu movies available to non-Telugu-speaking Canadians. With English as the primary language in Canada, this function allows for a more seamless watching experience. The global enthusiasm for Indian regional cinema is growing, and Canada has emerged as a surprising hotbed for cultural interchange.
Apps and platforms that cater to certain hobbies, such as Telugu films, are here to stay, assuming they strike the correct balance.
iBomma’s success in Canada demonstrates Telugu cinema’s global appeal. These films have won the hearts of Canadians with their fascinating storylines, relatable emotions, and jaw-dropping action.
While debates about legality and piracy continue, iBomma’s contribution to propagating Telugu Movie culture worldwide is obvious. Whether it’s a blockbuster like Pushpa 2 or a lesser indie treasure, platforms like iBomma take localized stories worldwide.
As Canadians continue to discover the enchantment of Tollywood, one thing is clear: language and distance cannot limit great storytelling.
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