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Patrick Stewart, A Shakespearean Actor Who Soars In Sci-Fi, Looks Back On His Life In Memoir

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NEW YORK — Famous “Star Trek” captain Patrick Stewart has boldly gone into his past where no one has gone before.

The actor spent most of the pandemic at his computer composing his memoir, which will be released this autumn under “Making It So,” a phrase he borrowed from “Star Trek: The Next Generation.”

“My long-term memory is extremely robust. Memory after memory and sensation and sensation and feelings all scuttled back the moment I turned the key on day one, Stewart, 83, said in a Zoom interview from his residence in Los Angeles.

It is a remarkable tale of a child who grew up poor in northern England, became a great Shakespearean stage actor, and then a sci-fi movie icon aboard the USS Enterprise and in the “X-Men” film series.

He grew up in a home without a lavatory or a bathroom, sold furniture as a young man, and worked his way up the regional theatre ranks in England — including touring and a crush on Vivien Leigh — before a 14-year run with the Royal Shakespeare Company and a rise to fame in Los Angeles.

Stewart says in the interview that authoring the book has been a highly therapeutic experience. “I know my therapist is among those anticipating the book the most. I anticipate hearing, “Why didn’t you tell me about this?”

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Patrick Stewart, A Shakespearean Actor Who Soars In Sci-Fi, Looks Back On His Life In Memoir.

If there is one shadow, it is that of Stewart’s father, a former British Army regimental sergeant prone to violent eruptions against his mother.

Stewart writes about how he and his elder brother, Trevor, braced for nights when their dad came home drunk and angry. “Sometimes with an outstretched hand, and sometimes with a closed fist. He consistently targeted her cranium.”

Stewart wonders if the violence initiated his career. “The stage would prove to be a safe space, a refuge from real life, in which I could inhabit another person, living in another place and time,” he writes.

Other portraits emerge of those who were kind to Stewart along the way, such as Paul McCartney, Rod Steiger, and Kirk Douglas, as well as those who were not: Stewart commanding one of Gene Roddenberry’s starships was never acceptable to “Star Trek” creator Gene Roddenberry or “Dune” director David Lynch.

“I wanted to be truthful, but I also wanted to be respectful and cautious. The most difficult aspect of the experience was determining how much I should say. What should I refrain from saying?

“It’s almost certain that someone will come forward and say, ‘How dare you?'” That is ludicrous.’ I’ve brought this upon myself. But I took it extremely seriously.”

stewart

Patrick Stewart, A Shakespearean Actor Who Soars In Sci-Fi, Looks Back On His Life In a Memoir.

Stewart, preparing to portray Hamlet in 1966, is given an hour-long tutorial by the late great director Peter Hall, widely regarded as the most influential figure in modern British theatre.

Stewart says, “When the hour was up and I checked my notebook, it contained nothing but scribbles.” “I realised that he had opened up this text to me in ways that no one else had ever done before.”

The grace with which he dealt with premature receding is a further example. Stewart would audition with a hairpiece, then remove it and make his case: two actors for the price of one.

Stewart dedicates the book to two influential instructors who instilled in him a passion for Shakespeare and inspired him to pursue a career in acting. Later in his 40s, when he was asked to portray Jean-Luc Picard, a 24th-century starship captain, his appreciation for Shakespeare would prove beneficial.

“The etiquette of their speech and demeanor reminds me of numerous Shakespearean situations in which I had participated onstage. I realized that I should portray Jean Luc as if he were a character from “Henry IV,” which is about courageous men.

Later in life, Stewart explored his sense of humor by donning crustacean costumes and lending his voice to Seth MacFarlane cartoons. People believed it would be entertaining to watch me play against type, he writes.

Throughout the memoir, Stewart is just as critical of himself as anyone else. Again and again, he confesses to mistakes or being unnecessarily stiff, at one point calling himself a “pompous ass.” Stewart explains that his relationship with his offspring is “a work in progress.”

“I needed to do better by the women with whom I was romantically involved,” he writes in one section. My two unsuccessful marriages are my greatest regret in a life filled with happiness and accomplishments.

Writing the book became “some of the happiest days of my life,” he says, despite pausing the audiobook a few times because he was weeping.

Sunny, his wife, observed that he appeared lighter and cheerful after a writing session. “She said I would come down smiling and kind of glowing because of the whole experience of going back.”

SOURCE – (AP)

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Tim Burton’s ‘Beetlejuice Beetlejuice’ a Box Office Success Gets 4.5 Stars

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Beetlejuice is 41% ahead of the norm for the action comedy sci-fi genre - Netflix Image

Beetlejuice Beetlejuice preview reportedly made $13 million for Warner Bros. Fans gave it 4.5 stars on Comscore/Screen Engine’s PostTrak, while both parents and children under the age of 12 gave it 5 stars.

The sequel has a current budget of $90 million, with room to grow.

The sequel starring Michael Keaton, Jenna Ortega, and Winona Ryder had 59% female attendees, with 73% of those attendees being 25 and older. In terms of gender, 62% of the children were girls and 38% were boys. Last night, the Latino and Hispanic community had an impressive showing at 36% of the total audience.

According to Yahoo Entertainment, Beetlejuice Beetlejuice social media reach With 508.6 million followers across TikTok, Facebook, X, YouTube, and Instagram combined, Beetlejuice is 41% ahead of the norm for the action comedy sci-fi genre.

“Jenna Ortega has stunned her 38.2 million Instagram followers with 103.1 million views, while Michael Keaton has 1.58 million and Willem Dafoe has 155 thousand,” the social media analytics company adds.

Beetlejuice Beetlejuice a Remarkable Sequel

Additionally, they mention, “Convo for Beetlejuice Beetlejuice A remarkable feat for a sequel, Beetlejuice has received mostly good reviews from audiences who have praised the film for its originality and sense of purpose. ‘At first, I thought this was another Scream movie, then I thought it was the Wednesday Season 2!’ A number of fans, including new viewers, are ecstatic to see Jenna Ortega in a horror film.

According to fans of the 1988 original, “My inner child from the 80’s is screaming!” when asked about the style of Jenna Ortega’s flicks. I’m more pumped up for this movie than any other! “I admire the practical effects and the attempts to make it look like the old movie!!” is one commenter’s praise for the show’s expert production values and impressive use of special effects.

You can count on seeing a plethora of costumed fans at the movies this weekend.

A large number of collectible concessions are also available. Beetlejuice jack-in-the-box popcorn buckets are available at Cinemark, competing with Sandworm and Wolverine

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For Nicolas Cage, Making A Serial Killer Horror Movie Was A Healing Experience

For Nicolas Cage, Making A Serial Killer Horror Movie Was A Healing Experience

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Trump film ‘The Apprentice’ finds distributor and will open before the election

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NEW YORK — Trump Film | After failing to generate interest following its Cannes Film Festival screening, “The Apprentice,” starring Sebastian Stan as a teenage Donald Trump, has found a distributor who intends to release the film right before the election in November.

Briarcliff Entertainment will release “The Apprentice” in theatres across the United States and Canada on October 11, just weeks before the November 5 election.

Director Ali Abbasi, a Danish-Iranian filmmaker, had prioritized releasing “The Apprentice” in theatres before electors voted. After major studios and film distributors declined to bid on the project, Abbasi complained on X in early June that “for some reason certain power people in your country don’t want you to see it!!!”

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Trump film ‘The Apprentice’ finds distributor and will open before the election

In a statement issued Friday, Steven Cheung, the Trump campaign’s communications director, described the film’s release as “election interference by Hollywood elites right before November.”

“This ‘film’ is pure malicious defamation, should never see the light of day, and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a skip fire,” Cheung tweeted.

The prospect of legal action was one factor that decreased interest in “The Apprentice”. After the film’s Cannes premiere in May, Cheung labeled it “pure fiction” and stated that the Trump team would pursue a lawsuit “to address the blatantly false assertions from these pretend filmmakers.”

“The Apprentice” follows Trump’s rise to dominance in New York real estate, guided by defense attorney Roy Cohn (Jeremy Strong). Late in the film, Trump is seen raping his wife, Ivana Trump (portrayed by Maria Bakalova). In her 1990 divorce deposition, Ivana Trump alleged Donald Trump raped her. Trump rejected the claim, and Ivana Trump later clarified that she did not mean it literally but rather that she felt violated.

Abbasi has stated that Trump might not despise the film.

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Trump film ‘The Apprentice’ finds distributor and will open before the election

“I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign,” Abbasi stated during the May election.

Briarcliff Entertainment has published several films, including the 2022 documentary “Gabby Giffords Won’t Back Down” and the Liam Neeson thriller “Memory.” The indie distributor is led by Tom Ortenberg, who helped Lionsgate distribute Michael Moore’s “Fahrenheit 9/11” and, as CEO of Open Road, supported the best picture Oscar winner “Spotlight.”

SOURCE | AP

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Hanumankind: The Indian Rapper Who Overtook Kendrick Lamar on Global Music Charts

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In a remarkably short span, Indian rapper Hanumankind has made a significant mark on the country’s emerging hip-hop scene.

His track “Big Dawgs” has not only topped global charts but also briefly overshadowed Kendrick Lamar’s diss track “Not Like Us.” The BBC delves into the extraordinary ascent of Hanumankind, whose real name is Sooraj Cherukat.

At 31, Cherukat, also known as Hanumankind, radiates an electrifying presence in the “Big Dawgs” music video.

Filmed in a maut ka kuan—a dramatic performance space where drivers execute gravity-defying stunts inside a colossal wooden barrel—Cherukat commands the scene with an intense energy, surrounded by daring drivers zipping past him.

The track, a collaboration with producer Kalmi Reddy and director Bijoy Shetty, has amassed over 132 million streams on Spotify and 83 million views on YouTube since its release in July, propelling Cherukat to international fame.

On the surface, Cherukat’s music follows the hip-hop tradition of portraying gritty street narratives through raw, explicit lyrics. However, a deeper look reveals a rapper navigating his multifaceted identity through his art.

The Roots of Hanumankind’s Sound

Born in Kerala, Cherukat’s childhood was a global journey due to his father’s work with a major oil company, leading him to live in France, Nigeria, Egypt, and Dubai. His formative years in Houston, Texas, were crucial in shaping his musical career.

Houston’s hip-hop scene is unique, known for its distinctive “screwed-up” remix style influenced by the local use of cough syrup. Cherukat has often cited Texas hip-hop legends like DJ Screw, UGK, Big Bunny, and Project Pat as major influences.

Although his style reflects this heritage, it has evolved since his return to India in 2021 after dropping out of college.

Having earned a business degree and worked with firms like Goldman Sachs, Cherukat left the corporate world to pursue rap full-time, a passion he had previously juggled alongside other commitments.

Cherukat’s music reflects his attempt to reconcile his cosmopolitan experiences with his Indian roots. His tracks often highlight the struggles of southern Indian street life, combining intense vocal delivery with engaging rhythms.

His song “Genghis,” filmed in Bengaluru, critiques national issues through a gritty lens.

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Challenging Rap Norms and Navigating Criticism: Hanumankind’s Unique Path

In “Big Dawgs,” Cherukat diverges from the typical rap glorification of wealth, focusing instead on small-town stunt performers from impoverished backgrounds. “These are the people that are the real risk-takers…Those are the big dogs, for real,” he told Complex.

Despite his innovative approach, Cherukat faces criticism. Some argue that his English lyrics may limit his appeal to non-English-speaking Indian audiences and that his style too closely mirrors Western artists.

Abid Haque, a PhD student, believes that while Cherukat’s inclusion of South Asians in the Western rap scene is notable, his music sometimes feels disconnected from Indian reality.

Cherukat himself navigates this duality. He views his return to India as a way to explore his sense of belonging. “I think it really moulded me as someone who never really had a place to call home… and that kind of shaped the way I perceive music, people, and culture,” he explained.

Yet, he also embraces a broader perspective: “I’m not an Indian rapper, but I’m a rapper from India,” indicating his position outside the traditional Indian hip-hop scene.

Hanumankind’s unique style has attracted both admiration and criticism, often encountering resistance from listeners who struggle to categorize him. His distinct approach and refusal to conform to expectations have, however, resonated with many fans.

“He isn’t trying to cater to an Indian audience, which shows in his music, and he is unapologetic about it,” said Arnab Ghosh, a Delhi-based psychiatrist.

Cherukat’s journey, marked by his adaptability and dedication to authenticity, represents both a triumph and a challenge. As he continues to break boundaries and redefine expectations, Hanumankind remains a compelling figure in the global hip-hop landscape.

“You keep certain things as your roots, but it’s up to you to adapt to the environment and go with the flow, as long as you don’t compromise on integrity,” he once said, capturing the essence of his remarkable career.

Source: BBC

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