Megalopolis Trailer has been pulled by Lionsgate Films after it came to light that the critics’ quotes in the movie used were fabricated, according to a representative who spoke with Fox News Digital.

Lionsgate Films stated it was immediately recalling the trailer for Megalopolis. A Lionsgate spokesperson said in a statement. “We offer our sincere apologies to the critics involved and to Francis Ford Coppola and American Zoetrope for this inexcusable error in our vetting process. We screwed up. We are sorry.”

Released on Wednesday, the Megalopolis teaser used statements from critics such as Pauline Kael and Roger Ebert from previous Coppola films, even though these quotes did not appear in their evaluations.

Taking advantage of some of the stronger critical backlash towards September’s self-financed $120 million epic “Megalopolis,” the goal appears to have been to draw attention to the polarising reception that now-classics like “The Godfather” and “Apocalypse Now” received.

Guardian Goes Woke on “Megalopolis”

Even before its release, “Megalopolis” has been divisive. According to a May article in The Guardian, Coppola exhibited “old school” conduct towards female coworkers.

A source informed the newspaper that the director allegedly coaxed ladies into sitting on his lap. Reportedly, Coppola tried to kiss scantily clothed or topless female extras while filming a scene in a nightclub.

“I have known and worked with Francis and his family for over 35 years,” shared Darren Demetre, executive co-producer of “Megalopolis” with The Guardian at the time.

On his latest epic, “Megalopolis,” I served as an executive producer, second unit supervisor, and first assistant director, all while advising on and directing the production. Francis remained faithful to his creative vision while producing and directing a big independent film, making all the tough decisions to assure its timely and budgetary delivery.

“There were two days when we shot a celebratory Studio 54-esque club scene where Francis walked around the set to establish the spirit of the scene by giving kind hugs and kisses on the cheek to the cast and background players,” according to the statement.

The club vibe was crucial to the plot of the film, and it was his way of contributing to that vibe. Throughout the duration of the project, I did not become aware of any allegations of harassment or inappropriate behaviour.

Related News:

For Nicolas Cage, Making A Serial Killer Horror Movie Was A Healing Experience

For Nicolas Cage, Making A Serial Killer Horror Movie Was A Healing Experience

Alain Delon, a renowned French and European cinema icon, died at the age of 88. Delon rose to prominence as one of France’s most memorable leading men, known for his striking appearance and ability to combine strength and appealing vulnerability.

On X Day, French President Emmanuel Macron referred to Delon as “a French monument.” Macron lauded Delon’s ability to perform legendary parts and create dreams, calling him sad, popular, and more than just a star.

Alain Delon’s children, Alain Fabien, Anouchka, Anthony, and his dog Loubo, issued a joint statement on Sunday, announcing his passing. They disclosed that Delon died quietly at home in Douchy, surrounded by his family. They asked for privacy during this trying period.

Alain Delon’s Film Career: From ‘Purple Noon’ to ‘The Leopard’

Alain Delon, born on November 8, 1935, in Sceaux near Paris, rose to international acclaim in the 1960s with films including “Purple Noon” (1960), “The Leopard” (1963), and “Le Samouraï” (1969). During his peak career in the 1960s and 1970s, he collaborated with renowned directors such as Luchino Visconti and Joseph Losey.

Alain Delon appeared in a number of Italian films, including Visconti’s “Rocco and His Brothers” (1961), which received the Special Jury Prize at the Venice Film Festival. His diverse career includes “Is Paris Burning?” (1966), “The Sinners” (1966), and “The Assassination of Trotsky” (1972).

Alain Delon eventually voiced disappointment with the film industry, criticising how commercialisation had ruined his cinematic ideals. Despite this, he remained busy, acting in a number of television films and temporarily serving as a judge for the Miss France contest before stepping down in 2013 owing to contentious utterances.

Despite the controversy, Delon was given the Palme d’Honneur at the 2019 Cannes Film Festival, sparking debate. At the banquet, he reminisced on his life, claiming that his career was his biggest source of pride.

Source: BBC

NEW YORK — Eugene and Dan Levy will become the first father-son co-hosts of the Emmy Awards next month.

“We are thrilled to welcome two generations of comedy genius to the Emmy’s stage as hosts,” said Television Academy Chair Cris Abrego in a statement Friday.

Eugene Levy And Dan Levy Will Make History As The First Father-And-Son Co-Hosts Of The Emmys

The Levys won big at the 2020 Emmys, which were broadcast remotely due to the pandemic, with their hit show “Schitt’s Creek.” Eugene was named Outstanding Comic Actor, while Dan was named Best Supporting Comedy Actor. Dan won for writing and directing, and both won the Outstanding Comedy Series award as executive producers.

“For two Canadians who won our Emmys in a literal quarantine tent, the idea of being asked to host this year in an actual theatre was incentive enough,” the couple stated in an email. “We’re thrilled to be able to raise a glass to this extraordinary season of television.”

The Levys will be the first father-son hosts at the Emmys and the first since Colin Jost and Michael Che from “Saturday Night Live” in 2018.

The 76th Emmy Awards will be broadcast live on ABC from Los Angeles on September 15 and streamed on Hulu the following day.

Eugene isn’t just a co-host this year; he’s also been nominated for his Apple TV+ series “The Reluctant Traveler With Eugene Levy,” which follows the unusual marriage of a sardonic and cautious host and some of the world’s most beautiful destinations.

SOURCE | AP