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Miranda Lambert interrupts her performance to stop a fight. “Are We Done With Our Drama?”

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Miranda Lambert
John Shearer/Getty Images for ACM

(VOR News) – Concerts starring Miranda Lambert are held for the purpose of dancing and drinking, as opposed to being hosted with the intention of starting a fight.

At the Under the Big Sky Festival in Montana, which took place over the weekend, Miranda Lambert took a moment to address the members of the audience who appeared to be engaged in a dispute and were not paying attention to what she was saying.

This occurred during the course of her headline show at the festival. During the course of her activity, she uttered the sentence while pointing at herself.

“I see that your head is not turned in the right direction, which is towards this direction,” she stated with certainty. We are not looking in the same direction.”

If you wish to pay a visit, you are not required to travel to another location. The visit can be conducted from any location in the world. You should sing some country songs, drink some beer, and cause some trouble this evening if you wish to get into some trouble.

Miranda Lambert is ready to do any of these activities.

“Are we both at the same time at this moment? She went on to question, “Are we done with our drama yet?” and then proceeded to announce, “Fighting is not acceptable.” She continued till she reached her conclusion.

Adding insult to injury, it is invariably the women that are attacked. when we are absolutely and utterly go insane! It is my sincere wish that each of you has a fantastic day. For the time being, I will have to wait for the situation to pass.

In the course of her performances at the Montana festival over the course of the weekend, Miranda Lambert was one of the most remarkable performers.

She was one of the performers who appeared on stage alongside Billy Strings and Turnpike Troubadours, who were also the co-headliners of the event. It should also be noted that Mt. Joy, Tanya Tooker, Sierra Ferrell, and Brothers Osborne were all able to successfully carry out their separate performances.

At first glance, it would appear that the Miranda Lambert disagreements that take place in the crowds of Miranda Lambert’s show are something that happens on a regular basis.

As the month of June was drawing to a close, she intervened in a fight in order to perform her ballad, which was titled “Tin Man.” Before the month actually came to a close, the performance took place earlier.

Could Miranda Lambert and you get into a fight? What song is playing?

mostly Miranda Lambert due to the fact that I will go down there, and you do not want that to happen, and you do not want that to happen.

The announcement that they would not be carrying out the activity today was delivered to the throng by Miranda Lambert, who was the one who broke the news. In every instance in which we become agitated, we begin punching one another, and it is always the girls who are the ones who engage in this conduct.

Would you be willing to let us just go ahead and remove the police officers, if that is something that is possible for us to do? I think that would be an amazing thing to happen. We are indebted to you for a profound sense of gratitude.

After a few days had passed, Miranda Lambert uploaded a video to Instagram in which she made a joke about when she will eventually be okay with her fans getting into fights or fighting with each other.

The joke was about when she will eventually be okay with fan conflicts for the rest of her life. I would be really interested in attending your fights if you are interested in coming to my performances. I would be quite excited to do so. In relation to the statements that she made on July 2nd, she said, “Give ’em hell.”

I would appreciate it if you would give me permission to sing five songs that I have in my collection. These automobiles are referred to by the following names:

“Fastest Girl in Town,” “Kerosene,” “Little Red Wagon,” “Wranglers,” and “Gun Powder & Lead.” If you want to avoid doing it while “Tin Man” is playing, stop doing it. This is not an appropriate moment for it at this point in time.

SOURCE: RSN

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Tim Burton’s ‘Beetlejuice Beetlejuice’ a Box Office Success Gets 4.5 Stars

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Beetlejuice is 41% ahead of the norm for the action comedy sci-fi genre - Netflix Image

Beetlejuice Beetlejuice preview reportedly made $13 million for Warner Bros. Fans gave it 4.5 stars on Comscore/Screen Engine’s PostTrak, while both parents and children under the age of 12 gave it 5 stars.

The sequel has a current budget of $90 million, with room to grow.

The sequel starring Michael Keaton, Jenna Ortega, and Winona Ryder had 59% female attendees, with 73% of those attendees being 25 and older. In terms of gender, 62% of the children were girls and 38% were boys. Last night, the Latino and Hispanic community had an impressive showing at 36% of the total audience.

According to Yahoo Entertainment, Beetlejuice Beetlejuice social media reach With 508.6 million followers across TikTok, Facebook, X, YouTube, and Instagram combined, Beetlejuice is 41% ahead of the norm for the action comedy sci-fi genre.

“Jenna Ortega has stunned her 38.2 million Instagram followers with 103.1 million views, while Michael Keaton has 1.58 million and Willem Dafoe has 155 thousand,” the social media analytics company adds.

Beetlejuice Beetlejuice a Remarkable Sequel

Additionally, they mention, “Convo for Beetlejuice Beetlejuice A remarkable feat for a sequel, Beetlejuice has received mostly good reviews from audiences who have praised the film for its originality and sense of purpose. ‘At first, I thought this was another Scream movie, then I thought it was the Wednesday Season 2!’ A number of fans, including new viewers, are ecstatic to see Jenna Ortega in a horror film.

According to fans of the 1988 original, “My inner child from the 80’s is screaming!” when asked about the style of Jenna Ortega’s flicks. I’m more pumped up for this movie than any other! “I admire the practical effects and the attempts to make it look like the old movie!!” is one commenter’s praise for the show’s expert production values and impressive use of special effects.

You can count on seeing a plethora of costumed fans at the movies this weekend.

A large number of collectible concessions are also available. Beetlejuice jack-in-the-box popcorn buckets are available at Cinemark, competing with Sandworm and Wolverine

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Trump film ‘The Apprentice’ finds distributor and will open before the election

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NEW YORK — Trump Film | After failing to generate interest following its Cannes Film Festival screening, “The Apprentice,” starring Sebastian Stan as a teenage Donald Trump, has found a distributor who intends to release the film right before the election in November.

Briarcliff Entertainment will release “The Apprentice” in theatres across the United States and Canada on October 11, just weeks before the November 5 election.

Director Ali Abbasi, a Danish-Iranian filmmaker, had prioritized releasing “The Apprentice” in theatres before electors voted. After major studios and film distributors declined to bid on the project, Abbasi complained on X in early June that “for some reason certain power people in your country don’t want you to see it!!!”

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Trump film ‘The Apprentice’ finds distributor and will open before the election

In a statement issued Friday, Steven Cheung, the Trump campaign’s communications director, described the film’s release as “election interference by Hollywood elites right before November.”

“This ‘film’ is pure malicious defamation, should never see the light of day, and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a skip fire,” Cheung tweeted.

The prospect of legal action was one factor that decreased interest in “The Apprentice”. After the film’s Cannes premiere in May, Cheung labeled it “pure fiction” and stated that the Trump team would pursue a lawsuit “to address the blatantly false assertions from these pretend filmmakers.”

“The Apprentice” follows Trump’s rise to dominance in New York real estate, guided by defense attorney Roy Cohn (Jeremy Strong). Late in the film, Trump is seen raping his wife, Ivana Trump (portrayed by Maria Bakalova). In her 1990 divorce deposition, Ivana Trump alleged Donald Trump raped her. Trump rejected the claim, and Ivana Trump later clarified that she did not mean it literally but rather that she felt violated.

Abbasi has stated that Trump might not despise the film.

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Trump film ‘The Apprentice’ finds distributor and will open before the election

“I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign,” Abbasi stated during the May election.

Briarcliff Entertainment has published several films, including the 2022 documentary “Gabby Giffords Won’t Back Down” and the Liam Neeson thriller “Memory.” The indie distributor is led by Tom Ortenberg, who helped Lionsgate distribute Michael Moore’s “Fahrenheit 9/11” and, as CEO of Open Road, supported the best picture Oscar winner “Spotlight.”

SOURCE | AP

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Hanumankind: The Indian Rapper Who Overtook Kendrick Lamar on Global Music Charts

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Hanumankind

In a remarkably short span, Indian rapper Hanumankind has made a significant mark on the country’s emerging hip-hop scene.

His track “Big Dawgs” has not only topped global charts but also briefly overshadowed Kendrick Lamar’s diss track “Not Like Us.” The BBC delves into the extraordinary ascent of Hanumankind, whose real name is Sooraj Cherukat.

At 31, Cherukat, also known as Hanumankind, radiates an electrifying presence in the “Big Dawgs” music video.

Filmed in a maut ka kuan—a dramatic performance space where drivers execute gravity-defying stunts inside a colossal wooden barrel—Cherukat commands the scene with an intense energy, surrounded by daring drivers zipping past him.

The track, a collaboration with producer Kalmi Reddy and director Bijoy Shetty, has amassed over 132 million streams on Spotify and 83 million views on YouTube since its release in July, propelling Cherukat to international fame.

On the surface, Cherukat’s music follows the hip-hop tradition of portraying gritty street narratives through raw, explicit lyrics. However, a deeper look reveals a rapper navigating his multifaceted identity through his art.

The Roots of Hanumankind’s Sound

Born in Kerala, Cherukat’s childhood was a global journey due to his father’s work with a major oil company, leading him to live in France, Nigeria, Egypt, and Dubai. His formative years in Houston, Texas, were crucial in shaping his musical career.

Houston’s hip-hop scene is unique, known for its distinctive “screwed-up” remix style influenced by the local use of cough syrup. Cherukat has often cited Texas hip-hop legends like DJ Screw, UGK, Big Bunny, and Project Pat as major influences.

Although his style reflects this heritage, it has evolved since his return to India in 2021 after dropping out of college.

Having earned a business degree and worked with firms like Goldman Sachs, Cherukat left the corporate world to pursue rap full-time, a passion he had previously juggled alongside other commitments.

Cherukat’s music reflects his attempt to reconcile his cosmopolitan experiences with his Indian roots. His tracks often highlight the struggles of southern Indian street life, combining intense vocal delivery with engaging rhythms.

His song “Genghis,” filmed in Bengaluru, critiques national issues through a gritty lens.

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Challenging Rap Norms and Navigating Criticism: Hanumankind’s Unique Path

In “Big Dawgs,” Cherukat diverges from the typical rap glorification of wealth, focusing instead on small-town stunt performers from impoverished backgrounds. “These are the people that are the real risk-takers…Those are the big dogs, for real,” he told Complex.

Despite his innovative approach, Cherukat faces criticism. Some argue that his English lyrics may limit his appeal to non-English-speaking Indian audiences and that his style too closely mirrors Western artists.

Abid Haque, a PhD student, believes that while Cherukat’s inclusion of South Asians in the Western rap scene is notable, his music sometimes feels disconnected from Indian reality.

Cherukat himself navigates this duality. He views his return to India as a way to explore his sense of belonging. “I think it really moulded me as someone who never really had a place to call home… and that kind of shaped the way I perceive music, people, and culture,” he explained.

Yet, he also embraces a broader perspective: “I’m not an Indian rapper, but I’m a rapper from India,” indicating his position outside the traditional Indian hip-hop scene.

Hanumankind’s unique style has attracted both admiration and criticism, often encountering resistance from listeners who struggle to categorize him. His distinct approach and refusal to conform to expectations have, however, resonated with many fans.

“He isn’t trying to cater to an Indian audience, which shows in his music, and he is unapologetic about it,” said Arnab Ghosh, a Delhi-based psychiatrist.

Cherukat’s journey, marked by his adaptability and dedication to authenticity, represents both a triumph and a challenge. As he continues to break boundaries and redefine expectations, Hanumankind remains a compelling figure in the global hip-hop landscape.

“You keep certain things as your roots, but it’s up to you to adapt to the environment and go with the flow, as long as you don’t compromise on integrity,” he once said, capturing the essence of his remarkable career.

Source: BBC

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