Celebrity
Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour
Griff, a British singer-songwriter, has had an undeniably successful career. Less than two years after releasing her first track and clearing her A-level examinations, she received the Brit Award for Rising Star. Then she opened for Dua Lipa. Then, Ed Sheeran. Then Coldplay. Then, Taylor Swift.
Between gigs, solo shows, and music releases, she worked on the tracks for her debut album, “Vertigo,” which is out today.
“The usual steps that you take as a new artist have been a bit, like, upside-down,” the 23-year-old, who goes by Sarah Faith Griffiths, told The Associated Press in an interview. “An album is such a step hitting the ground, and it’s such a milestone I’ve always wanted to get to.”
Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour
According to her, this moment feels like the start of her career. The immersive pop album explores the emotions accompanying such a whirlwind and those arising from other destabilizing occurrences, such as growing up and experiencing heartache.
Griff said the inspiration for the project came, “funnily enough,” while navigating a spiral staircase in one of the residences she wrote the record in — in this case, a cottage owned by singer and songwriter Imogen Heap. She claimed the physical truth of the encounter immediately translated into an emotional counterpart, which has stayed with her ever since.
“That was just a very real, tangible feeling that I have had, and still have, at this stage in my life,” she told me.
“Tears For Fun” and “Miss Me Too” explore that dizzying sensation through multilayer productions inspired by the large-scale locations she has previously played in. “Astronaut” incorporates piano by Coldplay’s Chris Martin, who inspired Griff to alter an early form of the song into a ballad. “You said you needed space, go on then, astronaut,” she admits in her characteristic belt, her grounded demeanor lending weight to her charges.
“It’s almost like I’m a little greedy with emotions when it comes to songs,” she added, explaining her desire to combine heartbreaking words with catchy, optimistic arrangements. “For me, music is all about moving people and triggering emotion.”
According to her, the catharsis is shared by both the artist and the listeners, which Martin has encouraged.
“He really believes that as creatives and writers, we’re just kind of vessels, and creativity will flow through us and ideas will find their way to the right people,” according to her. “And I think that kind of philosophy is really reassuring.”
Griff succeeds in her aim not only through her sound but also through the graphics she and her crew create. Ever since the album’s first track was released, she has worn a spiral in her hair. Song visualizers envision her dancing in billowing textiles on the same spiral created in sand. Like her pop forefathers, she understands that an album “era” is a multimedia undertaking.
However, the more casual glances of Griff, the creative, may disclose far more about her inner life. In preparation for her gig opening for a night of Swift’s Eras Tour in London, she chronicled the process of making a garment out of blue and white cloth inspired by a line from Swift’s song “But Daddy I Love Him.”
“I was always draping bedsheets around myself,” she recalled from her upbringing. “I was the only female – I have two elder brothers and a lot of foster siblings — so I entertained myself by dressing up. “I think I just enjoy making things.”
Griff Has Opened For Some Of Pop’s Biggest Stars. Now She Has A Debut Album Of Her Own To Tour
Swift stated on stage: “This girl, she is so creative on every single level.”
Griff, true to her enthusiasm, says she is eager to continue producing.
“To be totally honest, I feel excited to get back in the studio,” she told me. “I feel like I’ve got a lot more to give.”
SOURCE | AP
Celebrity
Blake Lively #Metoo Claims Supported By New Lawsuit
Blake Lively’s claims that director and co-star Justin Baldoni launched a smear campaign against her have been supported by a new lawsuit filed by Baldoni’s former publicist.
Stephanie Jones, who has been representing Baldoni since 2017, filed the case on Tuesday in New York State Court in Manhattan.
According to the report, the actor and his film production firm, Wayfarer, extended their deal in 2020, agreeing to a $25,000 monthly fee.
The lawsuit said that Baldoni, 40, and Wayfarer teamed up with publicists last August, when the film was released, to try to “bury” and “destroy” Lively, fearing that reports of misogynistic and toxic on-set behavior while filming the love drama would ruin his reputation and career.
Jones requested unspecified damages from the defendants, including Jennifer Abel, a former employee who she claims was behind the campaign to harm Blake Lively and tarnish Jones’ reputation.
The lawsuit claims that Abel was fired after Jones discovered on August 21, 2024, that Abel had “stolen more than 70 proprietary and sensitive business documents and additional client leads” from Jones Works as she prepared to leave the firm to start her own publicity company, with Baldoni and Wayfarer as clients.
The lawsuit also claims that Abel collaborated with Melissa Nathan, a crisis management professional who previously represented actor Johnny Depp, in an attempt to influence and control media information damaging to Blake Lively and Jones.
Numerous text conversations included in the case were recovered from Abel’s corporate phone, which she returned to Jones Works after being fired, the Associated Press reported.
In response to a request for comment on Wednesday, Abel forwarded an email with screenshots of text communications between herself and Jones, as well as a July 26 email she sent to Jones, two weeks after declaring her intention to leave the company on August 23, 2024, during a Zoom call.
In the email, she said, in part: “I know this journey will not be easy, but I wish to keep you in my life as a mentor, friend, and close confidant because I honestly consider you family and would be lost without your support.
I want to assure you that, unlike others who have burnt you in the past, there is no ill will here.
She said further: “I have left a company before with grace and with my relationships intact, and that’s what I fully plan on, and hope for.”
Blake Lively, 37, filed a complaint with the California Civil Rights Department last week, a step that frequently precedes the filing of a lawsuit, alleging that Baldoni sought to harm her reputation after Lively and her husband Ryan Reynolds addressed “repeated sexual harassment” by Baldoni and a film producer.
Bryan Freedman, an attorney for Baldoni, Wayfarer Studios, and its reps, described the charges in Lively’s filing as “completely false, outrageous, and intentionally salacious.”
He denied Blake Lively’s claims of a planned effort, stating that the studio “proactively” employed a crisis manager “due to the multiple demands and threats made by Ms. Lively during production.”
A message addressed to Freedman on Wednesday seeking comment on Jones’ lawsuit was not immediately returned.
“It Ends With Us,” an adaptation of Colleen Hoover’s popular 2016 novel, defied box office estimates with a $50 million launch and eventual sales of $350 million.
Baldoni appeared in the telenovela parody “Jane the Virgin,” directed “Five Feet Apart,” and penned “Man Enough,” a book that challenges traditional ideals of masculinity.
Related news:
Blake Lively Accuses Justin Baldoni of Sexual Harassment
Celebrity
Burt the Huge Croc in Crocodile Dundee Dies at Age 90
Burt, the massive crocodile that rose to prominence with an appearance in the film “Crocodile Dundee” and continued to impress visitors with his fierce temper, died at the age of ninety. Staff at Darwin’s Crocosaurus Cove, where Burt had lived since 2008, confirmed his death.
The wildlife centre made a statement on Instagram: “It is with great regret that we announce the demise of Burt, the iconic saltwater crocodile and star of the Australian classic Crocodile Dundee.
“Burt passed away peacefully over the weekend, estimated to be over 90 years old, signaling the end of an incredible era,” American Crocodile News stated.
In the film, Mick Dundee (Hogan), wearing his now-famous Crocodile Dundee hat, leaves the Australian outback for the jungle of New York after meeting American reporter Sue Charlton (Kozlowski), who finally falls in love with him.
The crocodile is famously seen in the moment where Kozlowski’s character is assaulted while kneeling next to a creek.
Crocodile Dundee highest-grossing Australian picture
Crocasourus Cove described Burt, who was taken in the 1980s in the Northern Territory’s Reynolds River, as having a “bold” demeanor.
“Burt was a confirmed bachelor – an attitude he made clear during his earlier years at a crocodile farm,” the center said.
“His fiery temperament earned him the respect of his caretakers and visitors alike, as he embodied the raw and untamed spirit of the saltwater crocodile.”
“Burt was one of a kind.” He was more than simply a crocodile; he was a natural force, a reminder of the great creatures’ power and majesty.
“While his attitude may be tough, it was also what made him so unique and appreciated by those who worked with him and the thousands who came to see him over the years.
The statement ended with the following: “Visitors from around the globe marveled at his impressive size and commanding presence, especially at feeding time.”
Saltwater crocodiles can live for more than 70 years, especially in captivity.
Burt will be honored with a commemorative sign at the site, among some of the Crocodile Dundee 2 cast members.
Crocodile Dundee is the highest-grossing Australian picture of all time, earning $47,707,598 (Australian dollars).
It inspired two sequels, Crocodile Dundee II (1988) and Crocodile Dundee in Los Angeles (2001).
Hogan and Kozlowski married in 1990 and later divorced.
A documentary about the film’s production is anticipated to be released next year.
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Celebrity
Blake Lively Accuses Justin Baldoni of Sexual Harassment
In an 80-page complaint, Blake Lively accuses Justin Baldoni of sexual harassment and launching a smear campaign against her after she declined his approaches.Baldoni’s lawyer Bryan Freedman has denied Lively’s allegations, calling them “false, outrageous.
Blake Lively has filed a lawsuit against Justin Baldoni, charging the actor-director of inappropriate behavior and defamation related to their 2024 film, It Ends With Us. What was once thought to be a public relations campaign to promote the picture turned out to be a complaint.
Lively accuses sexual harassment, including unwanted kissing and sexual comments, throughout the filming. She further claims that Baldoni tried to tarnish her reputation after she declined his approaches.
Baldoni and his production firm, Wayfarer Studios, deny any charges regarding Blake Lively’s nude images or accusations.
Lively’s complaint targets not only director Justin Baldoni, but also key officials in his production firm and people accused of spreading false information about her.
This includes the film’s principal producer, Jamey Heath, Wayfarer co-owner Steve Sarowitz, and a number of others. Baldoni’s lawyer, Bryan Freedman, angrily disputes Lively’s charges, calling them “false, outrageous, and intentionally salacious,” according to Entertainment Weekly.
Baldoni created a toxic workplace
According to Freedman, the actress even neglected to appear on site and made disturbances throughout filming, resulting in the picture’s dismal performance, including “threatening not to show up to set, threatening not to promote the film, ultimately leading to its demise during release.”
The Gossip Girl star’s complaint claims that Justin Baldoni, producer Jamey Heath, and Wayfarer Studios “created a toxic workplace, ignored harassment complaints, and failed to protect the cast and crew.”
The dossier also claims that Baldoni recruited a public relations agency to create a revenge campaign before potential allegations were public.
According to the complaint copy received by People, Baldoni included sexually graphic and naked sequences, including those for an underage character, without Blake Lively’s agreement.
This contained a lengthy “virginity loss scene and an orgasm scene” that did not appear in the original work.
Blake Lively Nude
Baldoni allegedly asked intrusive questions regarding Lively’s intimate sexual encounters with her spouse, including questions about Blake Lively nude images, which she considered invasive and refused to address.
According to the lawsuit, while filming, Baldoni improvised physical intimacy with no previous discussion or choreography. This contained kissing sequences and a slow dance sequence.
According to People, one instance detailed in the complaint states that Baldoni “discreetly bit and sucked on Ms. Lively’s lower lip during a scene in which he improvised numerous kisses on each take.” He eventually “insisted” on shooting “over and over again.”
intrusive behaviours
Baldoni and producer Jamey Heath “repeatedly entered Lively’s trailer uninvited while she was undressed or breastfeeding her child.”
Baldoni and Heath put pressure on Lively to imitate full nudity during a birth scene, despite the fact that there was no prior agreement in the screenplay or contract.
Producer Jamey Heath allegedly showed Lively and her assistant a disturbing video of his wife giving birth without their consent.
Degrading remarks
Baldoni allegedly criticized Lively’s age and weight after giving birth, even phoning her trainer to encourage her to lose weight quickly.
He “often” described ladies in the office as “sexy”. To address the hostile work environment, a list of 30 protections was implemented.
Smear Campaign.
Prior to the film’s release, Baldoni allegedly orchestrated a smear campaign against Lively, afraid she might come out about her experiences.
Lively believes that her legal action would “pull back the curtain on these sinister retaliatory tactics” and protect others who report mistreatment.
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