Entertainment
From ‘Psycho’ To A New Crop Of Horror Movies in 2023
(LOS ANGELES) –Horror If you’re stuck for ideas on how to spend Mother’s Day, consider enjoying a good scare. Since the beginning of the genre, horror films have delved into the psychological anguish and terror that can only come from a mother, and several contemporary films are carrying on that time-honored legacy.
Consider Brandon Cronenberg’s “Infinity Pool,” one of the most talked-about pictures to emerge from this year’s Sundance Film Festival.
It’s not surprising that there were frightening moments. After all, the director has undoubtedly learned a thing or two from his filmmaker father and genre titan, David Cronenberg.
Gabi (Mia Goth) exposes her bare chest to James (Alexander Skarsgrd) in an invitation to breastfeed in one memorable scene, indicating a delicate tension between his original mother and his understanding of Gabi as his new one.
While the genre has been derided as low-brow, Adam Lowenstein, a cinema and media studies professor at the University of Pittsburgh specializing in horror, believes it is well-suited for dealing with such deep-seated psychological difficulties.
“Horror is, at its core, a very primal genre,” he explained. “It makes perfect sense that family, sex, and death are all things that the horror film is constantly mining because those are primal fascinations and experiences.”
Alfred Hitchcock’s “Psycho” (1960) is perhaps the definitive example of mommy concerns in a horror film.
In it, Norman Bates of the Bates Motel develops a dual personality after murdering his tyrannical mother and her lover out of jealousy. His anguish and shame force him to hide her body and adopt her personality when he conducts violence against women he is drawn to.
How horror films investigate motherhood difficulties and psychological trauma
According to Lowenstein, one of the reasons the maternal bond is particularly fertile for investigating psychological trauma is that it is so ubiquitous and loaded.
Since the beginning of the genre, horror films have delved into the psychological anguish and terror that can only come from a mother.
“We all have real mothers, just as we all subscribe to real constructs about motherhood.” And these things are quite difficult to separate,” he explained. The gap between expectation and reality is fertile ground for a good scare.
“Barbarian” (2022) by Zach Cregger similarly makes breastfeeding a spectacle, but this time from a hideous parental creature rather than an inviting yet twisted sexual partner, as in “Infinity Pool.”
Other films let the mother-child interaction carry the drama. The terrifying extreme of a mother being possessed by a demon is explored in ” Evil Dead Rise,” which is now available to rent on streaming sites.
“I think it’s very terrifying to imagine somebody so familiar to you in your world becoming a subversion of that, and becoming something really dangerous and evil,” filmmaker Lee Cronin said. “It just lent itself to this exploration of maternal fears and what it might mean if your mother was to turn on you.”
The major premise of Ari Aster’s latest film, “Beau is Afraid,” is the anxiety and pain that can result from the mother-child bond. The film, about a guy seeking to reach his mother’s house, is both a surrealist epic and a horror film.
While Aster’s third picture is admittedly less frightening than his previous two, “Midsommar” and “Hereditary,” all of which exploit the terrors of family relations and mother-induced trauma, it is reasonable to infer by the conclusion that Beau’s fear of his guilt-inducing mother was justified.
“When I left ‘Beau Is Afraid,’ I heard a teenage woman leaving out of the theatre ahead of me saying to her friends, ‘That just made me want to call my mum and say I’m sorry for everything,” Lowenstein recalled. “We think horror, fear, dread, and haunting, but not necessarily guilt, shame, or humiliation.” And Ari Aster clearly sees the link between these things.”
It’s no coincidence that almost all of these frightening films about protagonists’ relationships with their moms are directed by men.
But, according to Lowenstein, the genre’s mommy issues began with a woman and long before the film: Mary Shelley’s classic 1818 horror novel, “Frankenstein,” is widely regarded as the origin of contemporary horror.
“Her story is about a man who wants to be God but also a mother.” “He truly wishes to create life without the intervention of women,” he stated. “What Mary Shelley shows us is how bad this idea is, and how male hubris really does monstrous things with motherhood.”
SOURCE – (AP)
Entertainment
Streaming of iBOMMA Telugu Movies Surges in Canada
In recent years, iBOMMA Telugu Movies have emerged not only as a leader, but as one of the most important platforms for streaming Telugu movies in Canada. In the midst of the increase in the international establishment of streaming services in the western sphere.
This rapid expansion of Telugu Movies can also be seen in the demand for regional content due to the increasing South Asian population within Canada.
The growth of the iBOMMA platform makes sense as there is a large population of Telugu speakers in Canada. The growing South Asian population in cities like Toronto, Vancouver, Calgary and others has aided in the diversification of the market and similar platforms.
“Between 2013 and 2023, Indians immigrating to Canada rose from 32,828 to 139,715, an increase of 326%,” according to Forbes.
Indian enrollment at Canadian universities rose more than 5,800% in the last two decades, from 2,181 in 2000 to 128,928 in 2021, an increase of 126,747 students.
Between 2016 and 2019, Indian international students enrolled in U.S. universities dropped by 13% but increased by 182% at Canadian universities. Diplomatic issues between India and Canada have reduced Indian student visa approvals in the short term.
International student enrollment at Canadian universities rose from 62,223 in 2000 to 400,521 in 2021, increasing by 544%, according to the NFAP analysis. International student enrollment in America increased by 45% between 2000 and 2021.
Due to the increase in Telugu speaking people in Canada, streaming services for Telugu Canadians have shifted focus from entertainment to a tool to maintain their culture. With iBOMMA and its peers, they are able to stay in touch with a piece of their motherland while adapting to the realities of life in the Great White North.
Telugu cinema has started to grow in popularity outside of India, with several recent classics gradually starting to become of interest to the general populace. RRR and Kantara are among a slew of movies that are now finding success on a global stage, thus generating interest in films originating from the region.
This has in turn brought new customers onto iBOMMA Telugu Movies and introduced the platform to a whole new demographic of non Telugu – speakers.
In Canada these blockbusters have sparked some discussions and fans expressing their excitement on social media. The buzz around such films has often caused an increase in searches for options to stream the film, with iBOMMA Telugu Movies being a top.
Up Coming iBOMMA Telugu Movies for 2025
Movie | Release Date |
---|---|
Game Changer | Jan 10, 2025 |
Vidaamuyarchi | Jan 10, 2025 |
Daaku Maharaaj | Jan 12, 2025 |
Sankranthiki Vasthunnam | Jan 14, 2025 |
Thandel | Feb 07, 2025 |
Laila | Feb 14, 2025 |
#K10 | Feb 2025 |
Robinhood | Feb 2025 |
L2E (Dub) | March 27, 2025 |
Hari Hara Veera Mallu Part 1 | March 28, 2025 |
VD12 | March 28, 2025 |
JACK | April 10, 2025 |
Ghaati | April 18, 2025 |
Kannappa | April 25, 2025 |
HIT 3 | May 01, 2025 |
The Raja Saab | Summer 2025 |
Thug Life (Dub) | June 5, 2025 |
Kantara Chapter 1 | Oct 02, 2025 |
#NTRNeel | Jan 09, 2026 |
Chhatrapati Shivaji Maharaj (dub) | Jan 21, 2027 |
Entertainment
Superman 2025 Trailer Drops With Great Fanfare
James Gunn’s next film, Superman 2025, has its first teaser trailer, which dropped on Thursday. It gives DC fans their first look at David Corenswet’s Superman, AKA Clark Kent and Lois Lane.
Before its release, DC Studios unveiled a Superman 2025 enamel pin on Monday featuring a revamped Corenswet in her superhero costume and an updated depiction of Pierce Brosnahan’s daring reporter on Wednesday.
In 2025, Superman fans will be able to enjoy Gunn’s new storytelling, a new main actor, and more character development. Many are also curious about whether Superman will face Ultraman.
The preview opens with Superman, battered and bloodied, crash-landing in a desolate, icy scene. His canine sidekick, Krypto, also known as Super Dog, rushes to his aid after he has visions of himself as Clark in the Daily Planet office and at his parents’ house.
The trailer offers few storyline details, aside from the involvement of a fire-breathing dragon and the shaved-head Nicholas Hoult as Lex Luthor. It seems that Superman 2025 also attracts the ire of the general public; one irate citizen even beaned him on the back of the head with a throwaway cup.
After revealing his grand vision for the newly formed DCU in 2023, Gunn’s film—originally named Superman: Legacy—would serve as the prequel to a trilogy dubbed Chapter One: Gods and Monsters. The sequels will feature films centred around Supergirl, Clayface, and Swamp Thing.
Krypto Appears in Superman 2025
Despite living among other super-beings, Gunn noted that Corenswet’s Superman can stand on Earth due to his devotion and honesty.
In addition to his enormous stronghold that emerges from the ground, Superman possesses a flying dog and battles enormous creatures. The director praised Superman in his film for bringing elements from the comics and mythology that fans have been missing from the superhero franchise.
He may have done it again with Krypto, this time with a take that challenges the canine stereotype of a muscular, well-groomed hero.
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More than anything else, this one appears to be a rescue operation. According to Gunn, the dog that steals the show in the trailer isn’t the greatest. You’re missing out on much of Krypto’s depth in this trailer.
According to Gunn, “it’s a movie about kindness” when asked about the film’s themes.
In the 2025 teaser for Superman, Superman only says, “Take me home,” and whispers Krypto’s name. John Williams’s iconic score from the Christopher Reeve films gets a modern update to underscore the video.
Superman 2025, the first solo film starring Superman since 2013’s Man of Steel, opens on July 11, and a lot is riding on it.
The property is the foundation for the ambitious plans of DC Studios co-chiefs Gunn and Peter Safran, who were appointed to re-invent DC by Warner Bros. Discovery CEO David Zaslav. Their plans include an entire universe of television shows and films.
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Entertainment
iBomma Telugu Movies Are Gaining Popularity in Canada
iBomma, an online portal offering Telugu movies, has found unexpected development in Canada. Many Indio-Canadians are streaming foreign films, enticed by the genre-blending nature of Telugu films.
Telugu-speaking immigrants make up a sizable proportion of Canada’s South Asian population. Telugu films provide these people with a link to their birthplace.
Platforms such as iBomma allow users to quickly access the most recent releases without waiting for DVDs or other means of distribution.
Platforms such as Reddit, Instagram, and WhatsApp have helped iBomma gain popularity. Fans frequently post free movie links or discuss future Telugu releases, generating buzz. This word-of-mouth marketing attracts additional users to sites like iBomma, increasing Canadian viewership.
Telugu Movies Display India Culture
Social influencers have also had an impact. This increased enthusiasm is seen in YouTube channels evaluating Telugu movies and Instagram clips showing Tollywood dance numbers. Many consumers watch Telugu films on their mobile devices, reducing the need for traditional cable subscriptions.
Furthermore, subtitles have made Telugu movies available to non-Telugu-speaking Canadians. With English as the primary language in Canada, this function allows for a more seamless watching experience. The global enthusiasm for Indian regional cinema is growing, and Canada has emerged as a surprising hotbed for cultural interchange.
Apps and platforms that cater to certain hobbies, such as Telugu films, are here to stay, assuming they strike the correct balance.
iBomma’s success in Canada demonstrates Telugu cinema’s global appeal. These films have won the hearts of Canadians with their fascinating storylines, relatable emotions, and jaw-dropping action.
While debates about legality and piracy continue, iBomma’s contribution to propagating Telugu Movie culture worldwide is obvious. Whether it’s a blockbuster like Pushpa 2 or a lesser indie treasure, platforms like iBomma take localized stories worldwide.
As Canadians continue to discover the enchantment of Tollywood, one thing is clear: language and distance cannot limit great storytelling.
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