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‘Deadpool & Wolverine’ Opening Weekend Surpasses $200 Million, Biggest R-Rated Debut

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“Deadpool & Wolverine” surpassed the $200 million milestone, solidifying its status as the highest-grossing opening weekend for an R-rated film.

According to studio estimations, “Deadpool & Wolverine” — the 34th film in the Marvel Cinematic Universe roster — debuted with $205 million in domestic sales and $438.3 million worldwide.

When the original Deadpool film was released in 2016, it broke the record for the biggest grossing opening weekend for an R-rated film, generating approximately $132 million, while “Deadpool 2” came in second with $125 million domestic sales in 2018. Even when adjusted for inflation, both films pale in comparison to the third installment’s debut.

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Deadpool | Hollywood Reporter Image

‘Deadpool & Wolverine’ Opening Weekend Surpasses $200 Million, Biggest R-Rated Debut

“Deadpool & Wolverine” is currently among the top opening weekends ever, ranking eighth — a hair’s breadth behind 2012’s “The Avengers” ($207 million) and slightly ahead of 2018’s “Black Panther” ($202 million).

Marvel properties account for six of the ten largest debuts. According to Disney, with “Deadpool & Wolverine” joining the ranks, Marvel movies are worth more than $30 billion altogether, making Marvel the highest-grossing film series of all time.

Still, the MCU has been struggling to find its feet since its phenomenally successful “Infinity Saga” concluded with 2019’s “Avengers: Endgame,” a film that still holds the record for the greatest opening weekend by nearly $100 million. Since then, several of Marvel’s recent releases have failed to impress fans and critics.

Could “Deadpool & Wolverine” revitalize the franchise?

“We should continue to approach each film on its own terms, with varying success thresholds, especially as the MCU rebuilds with several films next year before the anticipated return of Avengers films,” Shawn Robbins, founder and owner of Box Office Theory, told CNN.

The fifth and sixth “Avengers” films are set for 2026 and 2027, respectively, providing Marvel with a four-film runway to build momentum.

“Still, there’s no denying ‘Deadpool & Wolverine’ is a massive win in its own right, with a unique hook attracting die-hard Marvel fans and casual audiences alike,” Robbins said. “This release is the breath of fresh air Marvel has been working towards, and it ushers in a new era for the whole brand. It’s a win for everyone: Disney, Marvel, theatre owners, and moviegoers.

According to Box Office Pro data, the excitement surrounding “Deadpool & Wolverine” has boosted demand for theatre showings, increasing the number of times the film is screened in theatres across the country. It presently has 43% of the showtime market share in the United States.

“We are thrilled to see ‘Deadpool & Wolverine’ bringing people to theatres for the biggest opening weekend ever for an R-rated movie,” said Michael O’Leary, president and CEO of the National Association of Theatre Owners. “This is the type of film you want to see on the big screen, and the historic level of excitement this weekend tells us that moviegoers understand there is no experience like theatrical. We also know that when people go to the movies, they want to come back, so we’re pleased to build on this weekend’s momentum with a strong theatrical slate in the coming months.”

The return of the outperforming box office
While the summer box office struggled following a lukewarm spring, many blockbusters have breathed fresh life into the industry.

“Since June, there has been a nonstop parade of over-performing blockbusters starting with ‘Bad Boys: Ride Or Die,’ and continuing with ‘Inside Out 2,’ ‘A Quiet Place: Day One,’ ‘Despicable Me 4,’ ‘Twisters,’ and now ‘Deadpool & Wolverine,’ making for one of the most notable string of hits in summer movie history,” Comscore senior analyst Paul Dergarabedian told CNN Saturday evening.

Last Monday, Disney announced that “Inside Out 2” has become the biggest-grossing animated picture of all time, earning $1.46 billion at the global box office and dethroning the previous record holder, 2019’s “Frozen 2.”

According to Comscore data, domestic sales were more than 25% lower than in 2023 before the film’s debut on June 16. However, less than three weeks after its release, the year-over-year domestic box office revenue loss fell from 27% to 19%.

The deficit now stands at 16.9%, which may continue to diminish depending on how “Deadpool & Wolverine” performs in theatres. “The Super Mario Bros. Movie” was the #1 film at this time last year, grossing more than $574 million domestically. Meanwhile, the ongoing success of “Barbie” and “Oppenheimer” — released on July 21 — helped boost total domestic movie office revenue in 2023 beyond $9 billion, the greatest level since the pandemic.

‘Deadpool & Wolverine’ Opening Weekend Surpasses $200 Million, Biggest R-Rated Debut

Although economists predict a drop in revenue in 2024, a stronger-than-expected summer movie lineup has narrowed the difference.

“This weekend’s performance certainly makes us more optimistic about the box office prospects for 2024, but we still have a long way to go before the end of the year, and year-over-year comparisons will keep us on a seesaw of ups and downs,” said Dergarabedian, who estimates the full-year box office will be between $8.2 and $8.7 billion. “The fact that we will likely wind up at $8 billion plus, considering how weak first quarter and April were in terms of revenue, is quite impressive.”

SOURCE | CNN

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Annapurna Interactive’s Entire Staff has Resigned from the Company.

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(VOR News) – Annapurna’s entire interactive team has resigned from their positions as a result of disagreements within the firm regarding the direction that the company ought to go in the future.

These disagreements have been caused by internal conflicts. As a consequence of this, development partners are currently contemplating the impact that this will have on the projects that they are simultaneously working on during this time period.

It has been stated by Bloomberg that the resignations occurred as a result of conversations that took place between Megan Ellison, the creator of Annapurna, and Nathan Gary.

The president of Annapurna Interactive is the person in charge of the company.

These conversations took place when the two individuals were working together. If these negotiations had been successful in securing an agreement on a contract that would have resulted in the gaming sector being established as a distinct entity, then the gaming industry would have been divided into its own company.

As mentioned in the report, Ellison cancelled the negotiations, which resulted in Gary, division co-heads Deborah Mars and Nathan Vella, and the remaining members of the team departing the company.

The outcome of the negotiations was as follows: this was the result of the conclusion of the negotiations. Following the conclusion of further deliberations pertaining to the topic, the organisation made the statement that is shown below to Bloomberg.

“The Annapurna Interactive team, which consisted of twenty-five individuals, has collectively resigned from their positions,” according to the official announcement.

Given that this was one of the most challenging decisions we have ever been asked to make, we did not choose this particular course of action without giving it a great deal of thought and deliberation. This is because we were required to make this option.

As reported by Annapurna, the company has appointed Hector Sanchez, a former executive at Epic Games, to serve as the new president of interactive and new media.

Sanchez was appointed to this position by the company. Sanchez was given this job by the firm, which appointed him to it. It just so happened that the announcement that the company had formed a collaboration with Remedy coincided with the release of this information. Sanchez is likely to succeed Gary in that position.

Sanchez will take over as head of Annapurna Interactive from Gary.

Gary will be succeeded by Sanchez. Gary’s current responsibilities will be taken over by Sanchez in the near future.

Neither Jason Schreier, a writer for Bloomberg, nor Thomas Puha, a reporter for Remedy, claimed that the resignations did not result in any revisions to the arrangement that Remedy had with Annapurna. Both of these individuals are employed by Remedy.

In their respective statements, both of these persons indicated that the deal had not changed. These two individuals were referring to the statement that came before yours when they made their comments.

In addition, Ellison issued a statement in which he vowed to the other gaming partners that the company would honour the pledges that it had made to them. In order to accomplish this, he gave them assurance that the corporation would meet all of its commitments.

One of the statements that Ellison made during his presentation was as follows: “During this transition, our top priority is to continue to support our other partners in the publishing and development industries.” “We acknowledge and appreciate their contributions.”

We are dedicated to not only our current range of games but also to increasing our influence in the interactive realm as we actively seek chances to adopt a more cohesive strategy to linear and interactive storytelling across the domains of cinema and TV, gaming, and theatre.

With regard to the question of whether Gary and his coworkers will go their separate ways or establish their own company, there is presently no information that can be provided because there is no information accessible. This is because there is no information that is currently available.

SOURCE: Gamespot

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The Venom 3 Trailer Contains an Intriguing MCU Connection.

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(VOR News) – Venom has managed to maintain the Sonyverse mostly on its own, despite the regrettable events involving Morbius and Madame Webb. But Eddie Brock’s journey as a symbiote will (presumably) come to an end with the release of Venom:

The Last Dance, the third installment in the Venom film series. The action will take place in several different places, one of which is called Las Vegas.

Thanks to the most recent trailer for the movie, fans may finally find out who will play the lead role in the third and final Venom episode. This choice has enormous ramifications that might reach into the Marvel Cinematic Universe in addition to the Sonyverse.

The movie opens with Venom mentioning his “creator,” and approximately a minute into the clip, we see a glimpse of an elderly-looking man with stringy white hair. For comic book readers, the Knull is the only interpretation that has any chance of being true.

In Marvel Comics, Knull is a malevolent god who caused the genesis of the Symbiotes. The Symbiotes were also created by him. His plan to wipe out the Celestials, the ancient deities we encountered in Eternals, was directed at them.

In addition, he created All-Black the Necrosword, the tool used by Gorr the God-Butcher in Thor: Love and Thunder.

In addition to making Venom, he also made this tool.

Additionally, he portrayed the main antagonist in the Silver Surfer: Black comic book narrative published in 2019. Venom is not the only one impacted by his influence.

On the other hand, he will have a major and prominent part as the creator of Venom in the next film Venom: The Last Dance. Given that the Symbiotes have revolted against Knull, it is likely that he is attempting to subdue them.

There is a popular belief, though, that Rhys Ifans—who portrays House of the Dragons—will portray Knull. The identity of the actor that will portray Knull is still unknown, despite not knowing their name yet.

It is entirely untrue that Norman Reedus was the actor chosen for the role, despite a well-known Twitter assertion to the contrary.

Ifans was chosen for a role in the movie that hasn’t yet been fully revealed. The post is wholly untrue, though. Without question, the actor portraying Otto Hightower has the necessary gravity to capture the essence of the ancient Knull. This being represents the evil that existed before the cosmos was formed and predates even the celestials.

Still, is there any chance that Knull has more surprises in store for him than just this film?

The release of Avengers: Secret Wars, a significant crossover event that is anticipated to unite the entire Marvel roster in an extraterrestrial war royale, is set to mark the conclusion of the present era of the Marvel Cinematic Universe (MCU). The months of April and May are when this event is planned to happen.

Venom, Eddie Brock, and other Sonyverse characters can fight Knull.

There is undoubtedly a chance of this. Moreover, Knull is important enough to the Marvel universe that he may have opinions about how the dispute should be resolved.

Though it’s likely that Knull won’t be around for very long as a supervillain, he makes the ideal antagonist for the final Venom episode.

He poses a threat comparable to that of a god and will reveal the history and traits of the Symbiotes. He poses a risk. This win might benefit the Sonyverse, especially in light of the horrific tales it has told about Morbin’ Time and Amazonian spiders.

SOURCE: Inverse

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Taylor Swift Wins Big At The MTV VMAs To Tie Beyoncé’s Record And Thanks Travis Kelce

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Swift | AP Image

NEW YORK — Taylor Swift’s dominance continued at the MTV Video Music trophies when she won seven trophies, including the night’s largest, the trophy for video of the year.

In her address Wednesday night, Swift praised her “boyfriend, Travis” for being on the set of the “Fortnight” music video and cheering her on. Fans screamed with delight when NFL player Travis Kelce was mentioned.

“Everything this man touches turns to happiness, fun, and magic,” she remarked, before moving gears to the 2024 presidential race and encouraging her over-18 supporters to register to vote.

Swift did not, however, criticize Kamala Harris’ presidential campaign on stage. Swift backed the vice president on Tuesday night, just moments after Harris’ debate with former President Donald Trump concluded.

Swift’s awards sweep raises her career total to 30, tying her with Beyoncé for the most VMA awards in history. Eminem is currently the male artist with the most VMAs, with 15.

Swift and Post Malone also won the VMAs’ first broadcast award for best collaboration, “Fortnight,” which was presented to them by Flavour Flav and Olympian Jordan Chiles.

Swift began her address by paying tribute to everyone who lost their lives and loved ones on 9/11, 23 years ago.

“I’ve just been thinking about what happened 23 years ago, everyone who lost a loved one and everyone that we lost and that is the most important thing about today,” she told me. “And everything that happens tonight falls behind that.”

She then turned to talk about Malone.

“There is a reason Post Malone is everyone in music’s favourite person to collaborate with,” she said, turning her gaze to him. “It has taken forever for me to get him to stop calling me ma’am.”

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Taylor Swift Wins Big At The MTV VMAs To Tie Beyoncé’s Record And Thanks Travis Kelce

Chappell Roan received the MTV Video Music Award for Best New Artist.

“I dedicate this to all the drag artists who inspire me,” she stated during her address while wearing chain mail and reading from a written speech in her diary. “I’m dedicating this to the gay and trans people that govern pop… “Thank you for listening.”

Women dominated the award event, with Roan’s innovative, medieval set serving as a prime example.

Drag queen Sasha Colby presented her as “your favourite drag queen’s favourite artist,” alluding to Roan’s now-famous Coachella performance, which was inspired by Colby. Real supporters will undoubtedly have enjoyed the hyper-referential tidbit.

Roan came in armor, blasting a lighted crossbow at the castle gates behind her, which burned in the process. Her dancers were knights, battling each other in breathtaking choreography while she performed her queer pop hit “Good Luck, Babe.”

Sabrina Carpenter, the other 2024 pop vocalist, won the Song of the Year award for “Espresso.”

“This is really special,” she remarked in a speech dedicated to her supporters. “And thank you to that me-espresso.”

Earlier in the night, she sang her popular singles “Please Please Please,” “Taste,” and “Espresso” during the award event, dancing alongside a moon man and an alien.

Katy Perry accepted the Video Vanguard Award, playing an eight-song medley spanning her career: “Roar,” “E.T.,” “California Gurls,” “Teenage Dream,” “I Kissed a Girl,” “Firework,” and “Lifetimes.”

“I did that all on the first day of my period, can you believe it?” she said after receiving the award from her partner, Orlando Bloom. “To have a long and successful career as an artist, several factors must come together. “There are no decade-long accidents.”

She also teased a new song called “I’m His, He’s Mine,” which features Doechii and borrows the Crystal Waters classic “Gipsy Woman (La Da Dee La Da Da).”

Previous Video Vanguard Award winners include Shakira, Beyoncé, Minaj, Madonna, Janet Jackson, Jennifer Lopez, Rihanna, and Missy Elliott.

Eminem opened the VMAs with a medley of his singles “Houdini” and “Somebody Save Me,” incorporating a televised feed of Jelly Roll. (The song refers to Jelly Roll’s big country radio hit “Save Me.”)

Megan Thee Stallion, a first-time host, welcomed the audience Wednesday night, joking that the VMAs now stand for the “voluptuous Megan awards.” She later performed.

Earlier in the evening, Karol G took over with a fierce rendition of her classic, “Si Antes Te Hubiera Conocido.” Rauw Alejandro took Puerto Rico to the stage, performing “Touching the Sky,” “DILUIVO,” and “Déjame Entrar.”

Tyla received the best Afrobeats award.

Taylor Swift Wins Big At The MTV VMAs To Tie Beyoncé’s Record And Thanks Travis Kelce

Flavour Flav and Chuck D of Public Enemy joined LL COOL J to commemorate Def Jam Records’ 40th anniversary.

Halsey channeled garage bands in her new single, “Ego,” which is set in the suburbs. GloRilla’s “Yeah Glo!” and “TGIF” added style.

Blackpink’s LISA, the best K-pop award winner, made her VMA debut as a soloist, belting out two brand-new tunes, “New Woman” and “Rockstar.” Shawn Mendes made his long-awaited return with a new John Mayer-esque acoustic single, “Nobody Knows.”

Anitta received the prize for best Latin with her performances of “Paradise,” “Alegria,” and “Savage Funk,” which included DJ Khaled, Fat Joe, and Tiago PZK. Camilla Cabello performed in a panopticon. Benson Boone was as excited as ever to sing his viral hit “Beautiful Things” on the VMA stage. Lenny Kravitz proved that rock isn’t dead with “Are You Gonna Go My Way,” “Human,” and finally “Fly,” in which he was accompanied by Quavo.

The 40th VMAs took place in the UBS Arena on Long Island, New York.

The night was filled with superstars, including Swift, who came in a green tartan corset with a matching train and long black leather gloves.

Throughout the night, MTV flashed back to iconic moments from the VMAs’ 40-year history, such as Britney Spears’ albino python and Madonna’s performance of “Like A Virgin.”

SOURCE | AP

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