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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

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Ethan Hawke and his daughter, Maya Hawke, have a running joke about their Flannery O’Connor film.

“Wildcat,” directed by Ethan and starring Maya as O’Connor, was created with genuine authenticity. It’s a deeply creative look at the Southern Catholic novelist and short story writer behind “A Good Man is Hard to Find,” weaving in and out of her imagination and actual life.

Lupus claimed O’Connor’s life in 1964, when she was 39. She won the National Book Award posthumously in 1972. Though she is well-known for her language and sharp social satire, she has recently faced criticism for racism in her private correspondence and her depiction of race in her work. It was a difficult but potentially rewarding region. However, the Hawkes can’t help but giggle as they imagine pitching to a major studio or streamer.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

Here’s how things could go:

Maya: “We want to make a film about an unfortunate-looking woman with lupus.” She struggles with her beliefs and does not have any lovers.

Ethan: “She’s a really brilliant writer but she’s completely unsuccessful.”

Maya: “Also, her minor success has recently been utterly disregarded, and people are mostly concerned in deleting her from the canon these days. “What do you think?”

Jonathan: “Sounds like the makings of a commercial, hit movie!”

If it isn’t clear, “Wildcat” (in select theaters Friday) was produced independently. To flesh out the cast, both Hawkes relied largely on friends with whom they had previously collaborated. The large ensemble includes Laura Linney, Liam Neeson, Steve Zahn, and Vincent D’Onofrio, to mention a few.

Maya had the concept for a movie about the day she decided to devote her life to acting. Despite having two successful actresses as parents, including mother Uma Thurman, she had hesitated due to her passion of reading. She was concerned that if she attended Juilliard, she would be forced to choose a decision. So, in a little act of defiance, Maya decided to audition not with a monologue from the theatrical canon, but with one she had revised from O’Connor’s “Prayer Journal” with her father during his breaks while filming “The Magnificent Seven.”

“If I showed them that I was really interested in literature, and if then they still wanted me, then it would probably be a place that would still allow me to explore language and writing and poetry the way that I wanted,” Maya said. “What a rebel.”

Ethan had also read O’Connor early on, at the suggestion of his mother, who encouraged him to read female authors in addition to Faulkner and Hemingway. They were both drawn to this prickly woman who wrote about faith without preaching, as well as about race and white Christian hypocrisy, in a way that few others had. She was also talented, self-deprecating, and suffering with the sickness that killed her father. At 24, she received her diagnosis and returned to Milledgeville, Georgia, to live with her mother (portrayed by Linney).

Ethan has little interest in biopics, particularly “in the age of Wikipedia.” However, upon deciding to direct and co-write the film, he was inspired by films such as Martin Scorsese’s “Raging Bull” and Jane Campion’s “An Angel At My Table.” They were about real people, Jake LaMotta and Janet Frame, but they did not require any prior knowledge of boxing or literature. They were only films about individuals.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

“(‘Wildcat’) is a kind of treatise on imagination, reality and faith and how those three things intersect with each other,” he remarked. “I’m not attempting to teach a college course on Flannery. We used her life experience as a starting point for a conversation.

Before delving too deeply into the process, they addressed themselves difficult questions about filming a film about someone who has made racist remarks.

“It begged the question: Do we want to make a film about someone who said some hurtful words at some point? What would it say about us if we did? And how do you become a decent anti-racist? Ethan said. “One of the things I realized was that you can’t create a story about America, past or present, without mentioning America’s wounds, crimes, and sins. One academic put it beautifully: Flannery O’Connor is a racist in rehabilitation, much like our society.

Maya pondered if depiction was always a celebration or if it could be an observation. She hopes it’s the latter, which she describes as a politeness that is frequently provided to films about complicated guys but may be less so when it comes to female characters.

Something remarked by novelist James McBride when Ethan was writing on “The Good Lord Bird” remained with him as well.

“He used to say how important it was that you don’t paint racists with horns on their head because people don’t have horns and racism is real,” Ethan added.

After much research and deliberation, they decided not to back down from the topic or defend her.

“I’m interested in this woman, and I’m interested in all the truths of her life,” he added.

“Wildcat” also served as inspiration for Maya’s upcoming album, “Chaos Angel” (due out May 31). The title and title track are based on a scene she shared with Philip Ettinger in which O’Connor discusses wrestling with her guardian angel.

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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie

“That idea really hit me in my gut,” Maya remarked. “We resist our better selves… As soon as we finished shooting the film, I went to make this album.”

Maya is now 25, the same age her father was when he finished “Before Sunrise” and was performing on stage in Chicago in Sam Shepard’s “Buried Child.” They are close and like-minded, frequently finishing one other’s words. However, Hawke admits that he is little envious of Maya’s musical abilities.

“There’s a part of me that has joked my whole life that all I really am is a failed musician,” he remarked. “All art strives to be music. It’s the simplest emotional connection we may form with one another. So, to see her thrive in this art form? I’m a little jealous of her for that.”

SOURCE – (AP)

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Jason Kelce Smashes Football Fan’s Phone

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Jason Kelce Smashes College Football Fan's Phone

Retired Philadelphia Eagles center Jason Kelce destroyed a Penn State football fan’s phone after the alleged heckler called his brother, Travis Kelce, a fag.

In now-viral footage published on X (previously Twitter) on Saturday, Nov. 2, the retired Philadelphia Eagles great was seen accompanied by football fans outside Beaver Stadium in State College, Pa., for the Penn State-Ohio State game.

As the individual capturing the tape lifted a fist to Jason, 36, and called his name for a fist bump, another man nearby hurled the homophobic slur at the retired Philadelphia Eagles star.

Hey, Kelce. How does it feel that your brother is a queer dating Taylor Swift?” the man questioned, referring to Travis, 34, who has been seeing Swift since 2023. Jason turned around seconds later, snatched the man’s phone, and crushed it to the ground.

“Looked like a Penn State student was getting in Kelce’s face for no reason,” the original X user who submitted the video remarked. “Wild scene in State College.”

Additional footage on X shows Jason smashing the phone on asphalt before picking it up and walking away. The phone’s owner, wearing a Penn State hoodie at the time of the incident, was shown in many videos strolling closely behind Jason and recording him before the conflict occurred.

Another footage published on X, which appears to have been filmed after Jason shattered the man’s phone, showed the hooded Penn State supporter trudging through a mob to pick up his phone off the ground.

“Give me my phone, bro,” he seemed to say to Jason.

The NFL alum seized the gadget first, then stood in front of the man and asked, “Who’s the fag now?” Others appeared to interfere.

The incident occurred while Jason was at Beaver Stadium for an appearance on ESPN’s College GameDay. The Ohio State Buckeyes won Saturday’s game 20-13 over the Penn State Nittany Lions.

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Shaun White’s Proposal To Nina Dobrev Was Romantic Gold

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Shaun White, the Olympic snowboarding champion, already has an impressive medal tally, but his surprise proposal to Nina Dobrev deserves a gold medal.

On Wednesday, the couple announced their engagement on Instagram. Dobrev posted photographs of the two hugging under an arch of white roses and showing off her five-carat Lorraine Schwartz engagement ring.

“RIP boyfriend, hello fiancé,” Dobrev said in the caption.

However, the photographs only tell half the tale, as Shaun devised an elaborate plan to surprise Dobrev with his proposal.

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Shaun White’s Proposal To Nina Dobrev Was Romantic Gold

According to a Vogue interview published Wednesday, Shaun said he assembled a team of people from the couple’s inner circle and Vogue personnel to trick Dobrev into thinking she had been invited to an intimate dinner party with Anna Wintour.

White claimed that his publicist emailed Dobrev a forged invitation to the event, which was scheduled to take place at the Golden Swan in New York City.

Dobrev accepted the invitation, joking that Shaun made it “look so legitimate.”

He even asked Dobrev’s stylist to outfit her in Chanel for the event.

Dobrev said she recognized what was happening when she entered the venue and saw White standing beneath the flowery arch.

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Shaun’s Proposal To Nina Dobrev Was Romantic Gold

“I went into shock,” Dobrev admitted, later adding that White “said all the right things” before she agreed.

According to the publication, after Shaun proposed, the couple partied into the early morning hours with close friends and relatives.

“Best night of my life,” Shaun captioned his Instagram story on Wednesday.

The duo first became romantically involved in 2020, and they have since publicly recorded their relationship, globe vacations, and White’s Olympic farewell on social media.

SOURCE  | CNN

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Hollywood Actress Teri Garr Passes Away at 79

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Hollywood Actress Teri Garr Passes Away at 79
Teri Garr, known for her roles in classics like "Young Frankenstein" and "Tootsie," has passed away at 79.

Hollywood actress Teri Garr, known for her roles in classics like “Young Frankenstein” and “Tootsie,” has passed away at 79. She died Tuesday of multiple sclerosis “surrounded by family and friends,” said publicist Heidi Schaeffer.

Admirers took to social media in her honor, with writer-director Paul Feig calling her “truly one of my comedy heroes. I couldn’t have loved her more” and screenwriter Cinco Paul saying: “Never the star, but always shining. She made everything she was in better.”

Throughout her career, the performer, often known as Terri, Terry, or Terry Ann, seemed destined for show business from a young age.

Her father was Eddie Garr, a well-known vaudeville comic, and her mother was Phyllis Lind, one of the original high-kicking Rockettes at New York’s Radio City Music Hall. Their daughter began dancing classes at six and was performing with the San Francisco and Los Angeles ballet companies by age fourteen.

She was 16 years old when she joined the road crew of “West Side Story” in Los Angeles, and she began starring in small roles in films as early as 1963.

In an interview from 1988, she described how she landed the role in “West Side Story.” After being rejected at her initial audition, she returned the following day dressed differently and was accepted.

Teri Garr, a comedian

Teri Garr then found steady work as a movie dancer, appearing in the chorus of nine Elvis Presley films, including “Viva Las Vegas,” “Roustabout,” and “Clambake.”

She has also appeared on various television shows, including “Star Trek,” “Dr. Kildare,” and “Batman,” and was a featured dancer on the rock ‘n’ roll music show “Shindig,” the rock concert performance “T.A.M.I.,” and a cast member of “The Sonny and Cher Comedy Hour.”

Her breakthrough role was as Gene Hackman’s girlfriend in Francis Ford Coppola’s 1974 thriller The Conversation. This led to an interview with Mel Brooks, who offered her the Gene Wilder’s German lab assistant role in Young Frankenstein if she could speak with a German accent.

“Cher had this German woman, Renata, making wigs, so I got the accent from her,” Garr once said.

The film established her as a great comic performer, with New Yorker film writer Pauline Kael calling her “the funniest neurotic dizzy dame on screen.”

Her big smile and off-center appeal helped her land roles in “Oh, God!” with George Burns and John Denver, “Mr. Mom” (as Michael Keaton’s wife), and “Tootsie,” in which she played the girlfriend who loses Dustin Hoffman to Jessica Lange and discovers he has dressed up as a woman to revive his career.

 A gift for spontaneous humor

Teri Garr, best known for comedy, has shown in films such as Close Encounters of the Third Kind, The Black Stallion, and The Escape Artist that she can also tackle drama.

She had a gift for spontaneous humor, frequently playing David Letterman’s foil during early guest appearances on N.B.C.’s “Late Night With David Letterman”.

Her appearances grew so frequent, and the pair’s good-natured bickering so convincing that rumors of romantic involvement circulated for a while. Years later, Letterman acknowledged those early appearances with helping the program become a success.

During those years, Garr began to experience “a little beeping or ticking” in her right leg. It started in 1983 and expanded to her right arm, but she thought she could handle it. By 1999, her symptoms had gotten so bad that she saw a doctor and was diagnosed with multiple sclerosis.

After disclosing her diagnosis, Garr became a spokesman for the National Multiple Sclerosis Society, giving hilarious remarks at events in the United States and Canada.

Source: AP

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