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1,500 Disneyland Collectibles Go Up For Auction, Such As A Dumbo Trash Bin

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(BURBANK, Calif.) — Fans who think that Disneyland is the happiest place on the planet will soon be able to take home more than just a souvenir.

A dedicated collector has brought Disney magic to a sprawling 30,000-square-foot (2,800-square-meter) building in Burbank, California, where fans can hear birds chirping in the Enchanted Tiki Room section and giggle at animated ghosts from the Haunted Mansion ride while previewing more than 1,500 items up for auction later this month.

Joel Magee has spent the last 30 years amassing a collection of over 6,000 objects, including costumes, rare posters, and life-size vehicles from rides like Dumbo and Peter Pan, and he’s finally ready to share part of it with the public.

“I’m one of those guys who believes in going big or home.” And if you don’t have the biggest, it ain’t the finest,” Magee told The Associated Press in a recent interview as crowds milled around the exhibit. Magee’s is the world’s largest privately held Disneyland/Disney Park collection.

“It’s quite thrilling. “This is the first time I’ve had all of my belongings in the same room at the same time,” he explained.

In the collectibles field, Magee is known as “the toy scout,” he has acquired a massive collection of toys and Disney things. He says he grew up watching “The Wonderful World of Disney” on TV every week, but he had never been to the park and had never considered collecting until he encountered a man selling Disneyland artifacts at a toy exhibition and became hooked.

“I couldn’t afford much at the time.” “I bought a few pieces, but that’s where it all started,” Magee explained. “In my travels as ‘the toy scout,’ I meet people all over the country, and they’ve just been bringing me all their stuff for the last 25 years, and here it is today.”

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Fans who think Disneyland is the happiest place on the planet will soon be able to take home more than just a souvenir.

The artifacts for sale range in size from a trading card to a 1917 Model T moving van from Disneyland’s original Main Street, which Magee claims Walt Disney designed himself.

Van Eaton Galleries, which is hosting the auction, is co-owned by Mike Van Eaton. He says the most sought-after pieces are those from the Haunted Mansion attraction, such as original stretch paintings from the elevator in the famed ride and a “doom buggy” — the vehicle passengers ride in.

“Joel also has one of the most incredible collections of Disney attraction posters in the world.” He owns every single attraction poster in the park. And those will do extremely well as well,” Van Eaton said.

There are goods for every budget, with some starting at $50 and most going much higher.

“Some of these items, such as the Dumbo ride vehicle, could fetch between $200,000 and $300,000.” We have trash cans from the park that may get $5,000 or $6,000 and posters that could fetch $50,000 to $60,000.

Magee says picking favorites from such a big collection is difficult, but he’s particularly fond of the static objects he’s brought to life.

“The Tiki birds, oh my goodness, were junk when we got them!” “They were worn out, with pieces missing,” Magee explained. “Some of my good friends who do a lot of work… in that field brought them all back to life better than you could ever imagine.” And… when people look at that, you can feel the enchantment in their eyes.”

The show is on display at the Burbank Town Centre Mall until July 16. The auction will take place from July 17 through July 19.

SOURCE – (AP)

Kiara Grace is a staff writer at VORNews, a reputable online publication. Her writing focuses on technology trends, particularly in the realm of consumer electronics and software. With a keen eye for detail and a knack for breaking down complex topics.

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Blake Lively #Metoo Claims Supported By New Lawsuit

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Blake Lively’s claims that movie co-star launched smear campaign gets support in publicist’s suit -AP Photo

Blake Lively’s claims that director and co-star Justin Baldoni launched a smear campaign against her have been supported by a new lawsuit filed by Baldoni’s former publicist.

Stephanie Jones, who has been representing Baldoni since 2017, filed the case on Tuesday in New York State Court in Manhattan.

According to the report, the actor and his film production firm, Wayfarer, extended their deal in 2020, agreeing to a $25,000 monthly fee.

The lawsuit said that Baldoni, 40, and Wayfarer teamed up with publicists last August, when the film was released, to try to “bury” and “destroy” Lively, fearing that reports of misogynistic and toxic on-set behavior while filming the love drama would ruin his reputation and career.

Jones requested unspecified damages from the defendants, including Jennifer Abel, a former employee who she claims was behind the campaign to harm Blake Lively and tarnish Jones’ reputation.

The lawsuit claims that Abel was fired after Jones discovered on August 21, 2024, that Abel had “stolen more than 70 proprietary and sensitive business documents and additional client leads” from Jones Works as she prepared to leave the firm to start her own publicity company, with Baldoni and Wayfarer as clients.

The lawsuit also claims that Abel collaborated with Melissa Nathan, a crisis management professional who previously represented actor Johnny Depp, in an attempt to influence and control media information damaging to Blake Lively and Jones.

Numerous text conversations included in the case were recovered from Abel’s corporate phone, which she returned to Jones Works after being fired, the Associated Press reported.

In response to a request for comment on Wednesday, Abel forwarded an email with screenshots of text communications between herself and Jones, as well as a July 26 email she sent to Jones, two weeks after declaring her intention to leave the company on August 23, 2024, during a Zoom call.

In the email, she said, in part: “I know this journey will not be easy, but I wish to keep you in my life as a mentor, friend, and close confidant because I honestly consider you family and would be lost without your support.

I want to assure you that, unlike others who have burnt you in the past, there is no ill will here.

She said further: “I have left a company before with grace and with my relationships intact, and that’s what I fully plan on, and hope for.”

Blake Lively, 37, filed a complaint with the California Civil Rights Department last week, a step that frequently precedes the filing of a lawsuit, alleging that Baldoni sought to harm her reputation after Lively and her husband Ryan Reynolds addressed “repeated sexual harassment” by Baldoni and a film producer.

Bryan Freedman, an attorney for Baldoni, Wayfarer Studios, and its reps, described the charges in Lively’s filing as “completely false, outrageous, and intentionally salacious.”

He denied Blake Lively’s claims of a planned effort, stating that the studio “proactively” employed a crisis manager “due to the multiple demands and threats made by Ms. Lively during production.”

A message addressed to Freedman on Wednesday seeking comment on Jones’ lawsuit was not immediately returned.

“It Ends With Us,” an adaptation of Colleen Hoover’s popular 2016 novel, defied box office estimates with a $50 million launch and eventual sales of $350 million.

Baldoni appeared in the telenovela parody “Jane the Virgin,” directed “Five Feet Apart,” and penned “Man Enough,” a book that challenges traditional ideals of masculinity.

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Burt the Huge Croc in Crocodile Dundee Dies at Age 90

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Burt and Paul Hogan in Crocodile Dundee
Burt, the massive crocodile that rose to prominence with an appearance in the film "Crocodile Dundee"

Burt, the massive crocodile that rose to prominence with an appearance in the film “Crocodile Dundee” and continued to impress visitors with his fierce temper, died at the age of ninety. Staff at Darwin’s Crocosaurus Cove, where Burt had lived since 2008, confirmed his death.

The wildlife centre made a statement on Instagram: “It is with great regret that we announce the demise of Burt, the iconic saltwater crocodile and star of the Australian classic Crocodile Dundee.

“Burt passed away peacefully over the weekend, estimated to be over 90 years old, signaling the end of an incredible era,” American Crocodile News stated.

In the film, Mick Dundee (Hogan), wearing his now-famous Crocodile Dundee hat, leaves the Australian outback for the jungle of New York after meeting American reporter Sue Charlton (Kozlowski), who finally falls in love with him.

The crocodile is famously seen in the moment where Kozlowski’s character is assaulted while kneeling next to a creek.

Burt and Paul Hogan in Crocodile Dundee

Burt and Paul Hogan in Crocodile Dundee

Crocodile Dundee highest-grossing Australian picture

Crocasourus Cove described Burt, who was taken in the 1980s in the Northern Territory’s Reynolds River, as having a “bold” demeanor.

“Burt was a confirmed bachelor – an attitude he made clear during his earlier years at a crocodile farm,” the center said.

“His fiery temperament earned him the respect of his caretakers and visitors alike, as he embodied the raw and untamed spirit of the saltwater crocodile.”

“Burt was one of a kind.” He was more than simply a crocodile; he was a natural force, a reminder of the great creatures’ power and majesty.

“While his attitude may be tough, it was also what made him so unique and appreciated by those who worked with him and the thousands who came to see him over the years.

The statement ended with the following: “Visitors from around the globe marveled at his impressive size and commanding presence, especially at feeding time.”

Saltwater crocodiles can live for more than 70 years, especially in captivity.

Burt will be honored with a commemorative sign at the site, among some of the Crocodile Dundee 2 cast members.

Crocodile Dundee is the highest-grossing Australian picture of all time, earning $47,707,598 (Australian dollars).

It inspired two sequels, Crocodile Dundee II (1988) and Crocodile Dundee in Los Angeles (2001).

Hogan and Kozlowski married in 1990 and later divorced.

A documentary about the film’s production is anticipated to be released next year.

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Blake Lively Accuses Justin Baldoni of Sexual Harassment

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Blake Lively has launched a legal battle against Justin Baldoni

In an 80-page complaint, Blake Lively accuses Justin Baldoni of sexual harassment and launching a smear campaign against her after she declined his approaches.Baldoni’s lawyer Bryan Freedman has denied Lively’s allegations, calling them “false, outrageous.

Blake Lively has filed a lawsuit against Justin Baldoni, charging the actor-director of inappropriate behavior and defamation related to their 2024 film, It Ends With Us. What was once thought to be a public relations campaign to promote the picture turned out to be a complaint.

Lively accuses sexual harassment, including unwanted kissing and sexual comments, throughout the filming. She further claims that Baldoni tried to tarnish her reputation after she declined his approaches.

Baldoni and his production firm, Wayfarer Studios, deny any charges regarding Blake Lively’s nude images or accusations.

Lively’s complaint targets not only director Justin Baldoni, but also key officials in his production firm and people accused of spreading false information about her.

This includes the film’s principal producer, Jamey Heath, Wayfarer co-owner Steve Sarowitz, and a number of others. Baldoni’s lawyer, Bryan Freedman, angrily disputes Lively’s charges, calling them “false, outrageous, and intentionally salacious,” according to Entertainment Weekly.

Baldoni created a toxic workplace

According to Freedman, the actress even neglected to appear on site and made disturbances throughout filming, resulting in the picture’s dismal performance, including “threatening not to show up to set, threatening not to promote the film, ultimately leading to its demise during release.”

The Gossip Girl star’s complaint claims that Justin Baldoni, producer Jamey Heath, and Wayfarer Studios “created a toxic workplace, ignored harassment complaints, and failed to protect the cast and crew.”

The dossier also claims that Baldoni recruited a public relations agency to create a revenge campaign before potential allegations were public.

According to the complaint copy received by People, Baldoni included sexually graphic and naked sequences, including those for an underage character, without Blake Lively’s agreement.

This contained a lengthy “virginity loss scene and an orgasm scene” that did not appear in the original work.

Blake Lively Nude

Baldoni allegedly asked intrusive questions regarding Lively’s intimate sexual encounters with her spouse, including questions about Blake Lively nude images, which she considered invasive and refused to address.

According to the lawsuit, while filming, Baldoni improvised physical intimacy with no previous discussion or choreography. This contained kissing sequences and a slow dance sequence.

According to People, one instance detailed in the complaint states that Baldoni “discreetly bit and sucked on Ms. Lively’s lower lip during a scene in which he improvised numerous kisses on each take.” He eventually “insisted” on shooting “over and over again.”
intrusive behaviours

Baldoni and producer Jamey Heath “repeatedly entered Lively’s trailer uninvited while she was undressed or breastfeeding her child.”

Baldoni and Heath put pressure on Lively to imitate full nudity during a birth scene, despite the fact that there was no prior agreement in the screenplay or contract.

Producer Jamey Heath allegedly showed Lively and her assistant a disturbing video of his wife giving birth without their consent.

Degrading remarks

Baldoni allegedly criticized Lively’s age and weight after giving birth, even phoning her trainer to encourage her to lose weight quickly.

He “often” described ladies in the office as “sexy”. To address the hostile work environment, a list of 30 protections was implemented.
Smear Campaign.

Prior to the film’s release, Baldoni allegedly orchestrated a smear campaign against Lively, afraid she might come out about her experiences.

Lively believes that her legal action would “pull back the curtain on these sinister retaliatory tactics” and protect others who report mistreatment.

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