Bernice Johnson Reagon, Whose Powerful Voice Helped Propel The Civil Rights Movement, Has Died

Nashville, Tennessee  – Bernice Johnson Reagon, a musician and scholar who utilised her rich, powerful contralto voice to support the American Civil Rights Movement and global human rights campaigns, died on July 16, according to her daughter’s social media post. She was 81.

Reagon was best known as the founder of Sweet Honey in the Rock, an internationally recognized African American female cappella group that she managed from 1973 until her retirement in 2004. The Grammy-nominated group’s purpose has been to educate, empower, and entertain. They sing songs from various genres, including spirituals, children’s music, blues, and jazz. Some of their original compositions pay tribute to American civil rights leaders and foreign liberation movements, such as the struggle against apartheid in South Africa.

Bernice Johnson Reagon, Whose Powerful Voice Helped Propel The Civil Rights Movement, Has Died

“She was incredible,” said Tammy Kernodle, a prominent professor of music at Miami University with a focus on African American music. She referred to Reagon as someone “whose divine energy, intellect, and talent all intersect in such a way to initiate change in the atmosphere.”

According to an obituary posted on social media by her daughter, musician Toshi Reagon, Reagon’s musical activism began in the early 1960s when she worked as a field secretary for the Student Nonviolent Coordinating Committee and became an initial member of the Freedom Singers. In 2010, the trio reassembled and was joined by Toshi Reagon to play for then-President Barack Obama in a White House performance series televised nationally on public television.

Reagon was born in 1942 in Dougherty County, Georgia, outside of Albany. In the early 1960s, he attended music workshops at Tennessee’s Highlander Folk School, an activist training ground. At an anniversary celebration in 2007, Reagon explained how the institution helped her recognize her musical history as unique.

“From the time I was born, we were always singing,” Reagon told me. “When you’re in a culture and, quote, ‘doing what comes naturally to you,’ you don’t notice it. I believe my work as a cultural scholar, singer, and composer would have been very different if someone had not drawn my attention to the people who need songs to stay alive, to keep themselves together, or to boost the energy in a movement.”

Reagon was arrested and dismissed from Albany State College after participating in a civil rights march. She eventually graduated from Spellman College. While a graduate student of history at Howard University and the vocal director of the D.C. Black Repertory Company, she founded Sweet Honey in the Rock.

In 1965, Reagon recorded her debut solo album, “Folk Songs: The South,” for Folkways Records. She joined Atlanta’s Harambee Singers as a founding member in 1966.

According to the Smithsonian, Reagon began working with the institution in 1969 when she was asked to organize and manage a 1970 festival program called Black Music Through the Languages of the New World. She went on to curate the African Diaspora Program and establish and lead the Program in Black American Culture at the National Museum of American History, where she ultimately became curator emeritus. She produced and played on many Smithsonian Folkways recordings.

Reagon was a distinguished professor of history at American University in Washington for a decade, commencing in 1993 and ending as a professor emerita.

According to Kernodle, we think that music has always been a component of civil rights activity, but it was people like Reagon who made music “part of the strategy of nonviolent resistance.” They brought those songs and practices from within the church to the streets and jail cells. And they popularised such songs.”

Bernice Johnson Reagon, Whose Powerful Voice Helped Propel The Civil Rights Movement, Has Died

“What she also did that was very important was that she historicised how that music functioned in the civil rights movement,” according to Kernodle. “Her dissertation was one of the first real studies of civil rights music.”

Reagon won two George F. Peabody Awards, including one for her role as lead scholar, conceptual producer, and host of the Smithsonian Institution and National Public Radio series “Wade in the Water: African American Sacred Music Traditions.”

She has received the Charles E. Frankel Prize and Presidential Medal for distinguished contributions to public awareness of the humanities, a MacArthur Fellows Program award, and the Martin Luther King Jr. Centre for Nonviolent Social Change’s Trumpet of Conscience Award.

SOURCE | AP