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‘Joker 2’ Tops the International Box Office with $81.1 Million.

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Joker

(VOR News) – It is projected that “Joker: Folie à Deux” made its debut this weekend with an estimated total of $81.1 million.

This would make it the most successful film at the box office around the world and the most profitable film overall from a financial standpoint. The picture, which is a sequel to the 2019 blockbuster smash “Joker,” only made $40 million in the United States of America, which is a pitiful amount of money.

The film is a sequel to the 2019 mega hit. In the year 2019, the trailer for the movie was made available. The cinematic adaptation of the peculiar comic book has generated an astonishing sum of $121.1 million in revenue all over the world. This is a result of the film’s success.

Considering that the production of “Joker: Folie à Deux” took place at an incredible cost of two hundred million dollars, Warner Bros., the corporation that provided the finance for the picture, is currently confronted with a dilemma as a result of this fact.

The second “Joker” cost $65 million, compared to $75 million for the original.

This is a substantial difference in terms of the budget. The movie has been given a terrible “D” CinemaScore since the majority of the reviews that have been published about the film have been unfavorable, and audiences appear to agree with the reviewers. As a result of this, the movie has been given a terrible “D” CinemaScore.

Lady Gaga, who is responsible for putting her own distinctive twist on Harley Quinn, a favorite character from the comics, is responsible for a significant portion of the additional expense.

Phillips, Joaquin Phoenix, who reprises his role as the unstable comedian Arthur Fleck, and Lady Gaga are all responsible for a significant portion of the increased budget. There is a large portion of the additional costs that are linked with the production of the picture that may be attributed to these payments.

There were a total of 25,788 theaters and 76 markets outside of the United States that showed the movie. In order to act as screening locations, these locations were selected.

The fact that “Joker: Folie à Deux” made $8 million in the United Kingdom, $6.9 million in Germany, $5.6 million in Italy, $5.5 million in Mexico, and $5 million in France is a fascinating piece of information to take into consideration. Furthermore, the film made $5 million in France.

Only a few examples of what has been accomplished are presented here, but they are representative of the many different results that have been obtained. One week after the film will be released in Japan on the same day, it will make its debut in China on October 16th. This will be one week after the film is released in Japan.

Japan will also release the Joker movie to the public on that same day.

After grossing $335 million in the United States, the first “Joker” film grossed $743 million in other nations across the world. This is despite the fact that the film was only released in the United States.

In addition to generating a large amount of revenue, the movie was a smash hit that was incredibly well received by audiences. The film “Deadpool & Wolverine” broke the record for the highest-grossing R-rated film when it grossed $1.32 billion worldwide.

This achievement was accomplished by the film. The film was successful in accomplishing this specific goal. During a particular period of time, the film was the one that achieved the distinction of being the highest-grossing R-rated film movie.

Before “Joker 2” caused a breach between audiences and critics, Phillips announced that he had ended his career as a director of films based on comic books. At the end of the day, “Joker 2” was not successful. By the time this took place, the film had not yet been responsible for causing the rift.

“It was fun to play in this sort of sandbox for two movies, but I think we’ve said what we wanted to say in this world,” he said in an interview with Variety in the month of August. “It was a lot of fun.” “It was a lot of fun.” “It was a lot of fun.”

SOURCE: VN

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Reviews of Silent Hill 2 Provide a Higher-Than-Expected Metacritical Score.

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Reviews of Silent Hill 2 Provide a Higher-Than-Expected Metacritical Score.

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Silent Hill 2

(VOR News) – The Bloober Team and Konami-produced remake of the horror game Silent Hill 2 is scheduled to launch the following week, but reviews have already started to surface, giving players a sneak peek at the updated version of the game before it is made available to the public.

It would be an understatement to say that Bloober Team was under a great deal of pressure to get the game right, especially considering that the survival-horror genre’s enthusiasts regard Silent Hill almost as highly as Resident Evil.

Considering the Metacritic score that the game has received thus far, Silent Hill 2 players shouldn’t have any worries when the game launches on November 8

. This is due to the score, which shows that the game has only ever earned favorable reviews up to this point. Fans of the Bloober Team and Silent Hill will be happy to hear this news.

Silent Hill 2 currently has an 87 Metacritic rating.

In 50 reviews, the PlayStation 5 version received a score of 87, meaning that it also received an 87 on that platform. This is based on the fact that the score was given to the PlayStation 5 version. The Silent Hill 2 personal computer version received an overall rating of 88 out of 5, placing it somewhat higher than the PlayStation 5 version.

There isn’t an Xbox version of Silent Hill 2 that can be regarded as existing because it wasn’t part of the Xbox Series X|S. There isn’t any information available at this time on whether or not it will ever be made accessible on that specific platform.

A considerable portion of Silent Hill fans had not in the slightest expected that Silent Hill 2 would achieve five flawless scores of one hundred before these reviews were published. It is extremely unlikely that they expected anything at all. Actually, the great majority of reviews are favorable.

They also call it a welcome return to form for the Silent Hill brand, complimenting the Bloober Team for their appreciation for the first Silent Hill 2. Furthermore, they believe it to be the ideal starting point for beginners who have never really experienced Silent Hill before.

Due of this, Silent Hill 2 has few Metacritic reviews, both positive and negative.

No bad reviews have been posted. Some people think that the remake may have retained some of the most annoying and constrictive elements of the original Silent Hill 2 by staying too close to the original. These individuals believe that there might have been some issues brought on by the remake.

Thankfully for those of us who are now playing Silent Hill 2, those reviews are the exception rather than the rule, with the vast majority of positive reviews making up the small amount of negative reviews.

It is true that some people became skeptical about the remake because the Bloober Team was in charge of it. Furthermore, in the perspective of both its own series and the genre at large, Silent Hill 2 has been held in the highest regard ever since it was first made accessible to the general public.

Games like Layers of Fear, The Medium, and the Blair Witch game were all made by the Bloober Team; nevertheless, no matter which game was reviewed, none of these titles received particularly high review scores. With the release of Silent Hill 2, it’s possible that the public’s perception of the Bloober Team may undergo a significant shift.

Additionally, we are now writing our own review of Silent Hill 2.

Although it has taken longer than expected because we acquired our review copy after the game was already in progress.

However, even though more reviews are being received, it is highly doubtful that these would significantly lower Silent Hill 2’s Metacritic score. despite the fact that more reviews are coming in. Players of Silent Hill 2 should have a lot to look forward to in the upcoming week as a result of this.

SOURCE: CB

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Maya Rudolph As Harris And Dana Carvey As Biden Open The 50th Season Of ‘Saturday Night Live’

In “The Electric State,” Millie Bobby Brown and Chris Pratt Battle Robots.

 

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Maya Rudolph As Harris And Dana Carvey As Biden Open The 50th Season Of ‘Saturday Night Live’

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rudolph

“Saturday Night Live” kicked off its 50th season with a parade of past cast members, including Maya Rudolph as Vice President Kamala Harris, Andy Samberg as her husband Doug Emhoff, and Dana Carvey as President Joe Biden.

“We’ve got to stay focused,” Rudolph-as-Harris stated at a faux rally during the show’s chilly open. “If we win, together, we can end the drama-la and the trauma-la and go relax in our pajama-las.”

After introducing running mate Tim Walz, portrayed by comedian and actor Jim Gaffigan, she summoned Samberg-as Emhoff to the stage, followed by Biden, played by the group’s oldest member, 69-year-old Carvey.

rudolph

Maya Rudolph As Harris And Dana Carvey As Biden Open The 50th Season Of ‘Saturday Night Live’

“A lot of people forget I’m president, including me,” said Carvey, who played President George H.W. Bush on the sitcom in the late 1980s.

Rudolph and Carvey performed the “Live from New York, it’s Saturday night” that kicked off season 50 of the sketch comedy classic.

Rudolph’s return to play Harris, for which she had won an Emmy, was publicized, but it was unclear when she would appear. The appearances by Carvey, Samberg, and Gaffigan were all surprises.

Jean Smart, who recently won her sixth Emmy for her starring part in “Hacks,” hosted, a role the 73-year-old has never played in her nearly four-decade career.

“I remember watching the first episode of ‘SNL’ and thinking,’someday I’m going to host that show,” Smart remarked in her opening monologue. “And this is the first Saturday that fit my schedule.”

The inaugural episode aired on October 11, 1975, with Lorne Michaels at the helm, as he is now.

George Carlin hosted, and the public was introduced to the Not Ready for Prime Time Players: Chevy Chase, John Belushi, Gilda Radner, Dan Akroyd, Jane Curtin, Laraine Newman, and Garrett Morris.

There were two musical guests, Billy Preston and Janis Ian, each performing two songs, as was customary in the early days.

Jelly Roll, a country singer and rapper, had the music spotlight Saturday, performing his songs “Liar” and “Sober.” Like Smart, he was a first-timer.

Smart debuted Jelly Roll alongside her “Hacks” co-star Hannah Einbinder, the daughter of original cast member Newman.

That debut episode is documented and re-enacted in the recently released Jason Reitman film “Saturday Night,” which is part of a wave of contemplation and celebration as the show approaches its 50th anniversary.

Despite the spectacular guest stars on this Saturday night, regular cast members carried the majority of the show, which swiftly settled into its usual pattern.

At his rally, James Austin Johnson reprised his role as Donald Trump, claiming he preferred Biden to Harris as his opponent.

“We miss Joe Biden, folks,” Johnson’s Trump stated. “What we wouldn’t give to have him stand next to me and be old.”

Colin Jost and Michael Che returned for another season of the mock-news show “Weekend Update.”

“There were so many insane political stories this summer and everyone kept asking, ‘Are you are you so bummed you aren’t on the air right now?” Jost instructed me to begin the part. “And I was like, ‘I have a feeling there’s going to be more that happens when we get back.'”

Maya Rudolph As Harris And Dana Carvey As Biden Open The 50th Season Of ‘Saturday Night Live’

Rudolph, Carvey, Gaffigan, and Samberg joined Smart, Jelly Roll, and the cast on stage for the usual finale.

Upcoming episodes will feature host Nate Bargatze and musical guests Coldplay, Ariana Grande and Stevie Nicks, Michael Keaton and Billie Eilish, and John Mulaney and Chappell Roan.

Those shows will build up to a three-hour primetime special on February 16 that will mark the official 50th season celebration. Bill Murray, Eddie Murphy, Billy Crystal, Julia Louis-Dreyfus, Robert Downey Jr., Mike Myers, Adam Sandler, Chris Rock, Tina Fey, Amy Poehler, and Will Ferrell are among the many talents who have appeared on the show.

SOURCE | AP

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In “The Electric State,” Millie Bobby Brown and Chris Pratt Battle Robots.

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Millie Bobby Brown

(VOR News) – The brothers and brothers-in-law Joe and Anthony Russo, the directors of “Avengers: Endgame” and Millie Bobby Brown, are back at it with “The Electric State.”

A view into a dismal future, this film stars Chris Pratt (“The Super Mario Bros. Movie”) and Millie Bobby Brown (“Stranger Things”). But the year is 1994.

The events depicted in “The Electric State” follow a sad and fruitless standoff between humanity and artificial intelligence. The bodies of the dead humans were buried, and the husks of the automatons they had fought with rusted where they had fallen. All of the living robots ended up in the “exclusion zone” of the southern desert. People are trying to rebuild society without the aid of technology as a result.

Anthony Russo stated, “You can recognise humanity in humans, and you can recognise humanity in technology,” in a Millie Bobby Brown Vanity Fair interview. These two scenarios are both plausible. That is the constant battle.

This is the plot.

Michelle, played by Millie Bobby Brown, is a young woman who believes her brother has long since passed away and is looking for him. However, it is a remote-controlled robot that resembles a life-sized, tiny-toy version of Kid Cosmo, his beloved science fiction hero, who helps him locate her. The robot, whose language consists of catchphrases, tries to guide her towards him.

Millie Bobby Brown thinks everyone can agree on anything and sees her brother in the doll.

Pratt’s portrayal of Keats, a former soldier turned long-haul truck driver, joins them on their adventure. This old enemy, played by Anthony Mackie, is involved in a construction machine smuggling operation called Millie Bobby Brown Herman.

He acts like a Russian nesting doll, transforming into smaller or larger versions of himself. Michelle needs help finding her lost brother in a difficult area, and only the two of them can do that.

“It felt like a story about broken families and broken people trying to find each other in a broken world,” Joe stated. “The texture in the images was really powerful,” he stated. “It was a story about how this world is broken.” It resonated with us since we are raising our kids in a digitally dependent society.

But Wait, There’s Still More

If the previously described situation doesn’t seem complicated enough, the background of Walt Disney’s early animatronics provides more insight into the motivation behind the robots’ rebellion: Millie Bobby Brown.

“The Electric State,” a theme park experience at Disneyland, takes some of its fundamental ideas and gives them a very sophisticated twist. This leads, after a few decades, to the creation of robots intelligent enough to rebel against their creators.

“These robots had the most benign appearance possible, and they end up feeling that they are being mistreated, and they have a Millie Bobby Brown desire to be treated as equals with humans, which leads to a war,” Joe said in his clarification. “And now you have this strange dichotomy playing out, where these service bots that are very pleasing and palatable from a service perspective are now attempting to kill you.”

For what reason was it 1994?

Joe contends that the topic of aggression might come up if the novel were set in the present era. Information that has been taken out of its immediate context and narratively presented might occasionally lead to people perceiving it in various ways. It turns out that this is the case.

Simon Stalenhag has done an amazing job pointing out how people are dehumanising themselves through technology and then creating a story about technology that attempts to be human. The query is, “At what point do they intersect, and at what point does technology become more hum

Joe continues by saying, “The intention was to create complex feelings for you, where it is both funny and tragic at the same time.”

The Millie Bobby Brown movie is based on the theory that robots were designed to be tranquil, visually beautiful, and non-threatening in addition to making people feel attached to them. in order to provide for you, sell you goods, and ensure your happiness. Stated differently, the movie’s goal was to make them resemble cartoon figures.

SOURCE: NB

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John Amos, Patriarch On ‘Good Times’ And An Emmy Nominee For The Blockbuster ‘Roots,’ Dies At 84

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