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‘Deadpool & Wolverine’ Opening Weekend Surpasses $200 Million, Biggest R-Rated Debut

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“Deadpool & Wolverine” surpassed the $200 million milestone, solidifying its status as the highest-grossing opening weekend for an R-rated film.

According to studio estimations, “Deadpool & Wolverine” — the 34th film in the Marvel Cinematic Universe roster — debuted with $205 million in domestic sales and $438.3 million worldwide.

When the original Deadpool film was released in 2016, it broke the record for the biggest grossing opening weekend for an R-rated film, generating approximately $132 million, while “Deadpool 2” came in second with $125 million domestic sales in 2018. Even when adjusted for inflation, both films pale in comparison to the third installment’s debut.

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Deadpool | Hollywood Reporter Image

‘Deadpool & Wolverine’ Opening Weekend Surpasses $200 Million, Biggest R-Rated Debut

“Deadpool & Wolverine” is currently among the top opening weekends ever, ranking eighth — a hair’s breadth behind 2012’s “The Avengers” ($207 million) and slightly ahead of 2018’s “Black Panther” ($202 million).

Marvel properties account for six of the ten largest debuts. According to Disney, with “Deadpool & Wolverine” joining the ranks, Marvel movies are worth more than $30 billion altogether, making Marvel the highest-grossing film series of all time.

Still, the MCU has been struggling to find its feet since its phenomenally successful “Infinity Saga” concluded with 2019’s “Avengers: Endgame,” a film that still holds the record for the greatest opening weekend by nearly $100 million. Since then, several of Marvel’s recent releases have failed to impress fans and critics.

Could “Deadpool & Wolverine” revitalize the franchise?

“We should continue to approach each film on its own terms, with varying success thresholds, especially as the MCU rebuilds with several films next year before the anticipated return of Avengers films,” Shawn Robbins, founder and owner of Box Office Theory, told CNN.

The fifth and sixth “Avengers” films are set for 2026 and 2027, respectively, providing Marvel with a four-film runway to build momentum.

“Still, there’s no denying ‘Deadpool & Wolverine’ is a massive win in its own right, with a unique hook attracting die-hard Marvel fans and casual audiences alike,” Robbins said. “This release is the breath of fresh air Marvel has been working towards, and it ushers in a new era for the whole brand. It’s a win for everyone: Disney, Marvel, theatre owners, and moviegoers.

According to Box Office Pro data, the excitement surrounding “Deadpool & Wolverine” has boosted demand for theatre showings, increasing the number of times the film is screened in theatres across the country. It presently has 43% of the showtime market share in the United States.

“We are thrilled to see ‘Deadpool & Wolverine’ bringing people to theatres for the biggest opening weekend ever for an R-rated movie,” said Michael O’Leary, president and CEO of the National Association of Theatre Owners. “This is the type of film you want to see on the big screen, and the historic level of excitement this weekend tells us that moviegoers understand there is no experience like theatrical. We also know that when people go to the movies, they want to come back, so we’re pleased to build on this weekend’s momentum with a strong theatrical slate in the coming months.”

The return of the outperforming box office
While the summer box office struggled following a lukewarm spring, many blockbusters have breathed fresh life into the industry.

“Since June, there has been a nonstop parade of over-performing blockbusters starting with ‘Bad Boys: Ride Or Die,’ and continuing with ‘Inside Out 2,’ ‘A Quiet Place: Day One,’ ‘Despicable Me 4,’ ‘Twisters,’ and now ‘Deadpool & Wolverine,’ making for one of the most notable string of hits in summer movie history,” Comscore senior analyst Paul Dergarabedian told CNN Saturday evening.

Last Monday, Disney announced that “Inside Out 2” has become the biggest-grossing animated picture of all time, earning $1.46 billion at the global box office and dethroning the previous record holder, 2019’s “Frozen 2.”

According to Comscore data, domestic sales were more than 25% lower than in 2023 before the film’s debut on June 16. However, less than three weeks after its release, the year-over-year domestic box office revenue loss fell from 27% to 19%.

The deficit now stands at 16.9%, which may continue to diminish depending on how “Deadpool & Wolverine” performs in theatres. “The Super Mario Bros. Movie” was the #1 film at this time last year, grossing more than $574 million domestically. Meanwhile, the ongoing success of “Barbie” and “Oppenheimer” — released on July 21 — helped boost total domestic movie office revenue in 2023 beyond $9 billion, the greatest level since the pandemic.

‘Deadpool & Wolverine’ Opening Weekend Surpasses $200 Million, Biggest R-Rated Debut

Although economists predict a drop in revenue in 2024, a stronger-than-expected summer movie lineup has narrowed the difference.

“This weekend’s performance certainly makes us more optimistic about the box office prospects for 2024, but we still have a long way to go before the end of the year, and year-over-year comparisons will keep us on a seesaw of ups and downs,” said Dergarabedian, who estimates the full-year box office will be between $8.2 and $8.7 billion. “The fact that we will likely wind up at $8 billion plus, considering how weak first quarter and April were in terms of revenue, is quite impressive.”

SOURCE | CNN

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How To Watch And Stream The 76th Annual Emmy Awards

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Los Angeles — If it appears that the Emmys have only recently occurred, you are correct.

The 76th Emmy Awards will be held on Sunday, approximately nine months after the previous celebration of the best in television. Last year’s Hollywood strikes pushed the show’s 75th edition back to January, when “Succession” and “The Bear” prevailed.

“The Bear” will play a significant role in this weekend’s show, but the “Succession” celebration was for the show’s final season, paving the way for a new drama series winner.

Enter “Shogun.” The FX series about feudal Japan enters the show with 14 prizes following the Creative Arts ceremony last weekend. It now holds the record for the most wins in a single season, and that lead is expected to grow.

Here’s everything you need to know about Sunday’s Awards, including how to watch and stream the red carpet and ceremony, as well as who has been nominated.

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What time do the Emmys start?

The show starts at 8 p.m. Eastern and is broadcast live on ABC, which is available via antenna or cable and satellite providers.

What if I want to watch the Emmys?
The Emmys may be seen live on live TV streaming platforms that feature ABC, such as Hulu+ Live TV, YouTube TV, and FuboTV.

For those who do not have the service, the show will be available on Hulu on Monday.

So, who has already won an Emmy?
Lots of people from “Shogun,” including actor Néstor Carbonell. Maya Rudolph was also honoured for her performance on “Big Mouth,” and Jamie Lee Curtis got her first Emmy for her guest appearance on “The Bear.”

The Creative Arts Emmys recognise many of the craftspeople that make shows possible, leaving the top awards for Sunday’s ceremony, presented by brothers Eugene and Dan Levy.

If I’m not in the United States, how can I watch the Emmys?
The Emmys can be watched in hundreds of countries. The Television Academy website provides a useful list of broadcasters and, in certain cases, broadcasting times.

“Live from E!” will premiere its red carpet broadcast at 6 p.m. Eastern on the cable network E!. The coverage will be hosted by Laverne Cox, the first transgender person to receive a nomination, comedian Heather McMahan, and Keltie Knight from E! News.

People magazine and Entertainment Weekly will also broadcast a live red carpet show on their websites and YouTube, beginning at 6 p.m.

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Who is nominated for an Emmy?

“Shogun” has the most nominations, with 25, while “The Bear” has 23, including best comedy series and Best Actor in a Comedy Series for Jeremy Allen White, both of which it won at January’s strike-delayed presentation. Ayo Edebiri, who won best supporting actress in January, is nominated for best comedy actress this year.

“The Crown” with 19 nominations and “Hacks” with 16 each return to the Emmys after their respective years away. Elizabeth Debicki is nominated for best supporting actress in a drama for her role as Princess Diana, and Imelda Staunton for her portrayal of Queen Elizabeth II.

Jodie Foster, a two-time Academy Award winner, is expected to receive her first Emmy for outstanding actress in a limited or anthology series or television film for her part in “True Detective: Night Country.”

Robert Downey Jr., the reigning Best Supporting Actor Oscar winner, might also win his first Emmy. He’s nominated for best supporting actor in a limited series for his five different parts in “The Sympathiser.”

SOURCE | AP

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ESPN And Other Channels Return To DirecTV With A New Disney Deal After A Nearly 2-Week Blackout

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ESPN | AP News Image

DirecTV stated Saturday that it has reached an agreement with Walt Disney Co. to restore ESPN and ABC-owned stations to its service following a nearly two-week dispute that had blacked out the networks for millions of consumers in the United States.

The standoff ended just in time for sports lovers to see ESPN’s college football schedule on DirecTV. It will also assure that ABC’s Emmy Awards telecast on Sunday night is available in more big locations where DirecTV subscribers pay for the service.

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ESPN And Other Channels Return To DirecTV With A New Disney Deal After A Nearly 2-Week Blackout

Since September 1, ABC has been unavailable on DirecTV in various locations where the channel is owned by Disney. They were located in the San Francisco Bay Area, Fresno, California, New York, Chicago, Philadelphia, Houston, and Raleigh, North Carolina.

During Labour Day weekend, DirecTV’s 11 million subscribers were abruptly cut off from ESPN, ABC-owned stations, and other Disney-owned channels such as FX and National Geographic due to a dispute over carriage rates and programming flexibility.

Some viewers were watching the fourth round of the United States Open tennis event when ESPN went dark, while others were preparing to watch a college football game between LSU and Southern California.

The standoff also prevented DirecTV from broadcasting the NFL’s Monday Night Football opener.

The financial terms of Disney’s new arrangement with DirecTV were not disclosed as part of Saturday’s announcement. According to the partnership announcement, DirecTV would pay Disney based on “market-based” pricing.

The agreement also allows DirecTV to sell Disney’s video streaming services both a la carte and in its own bundled bundles. DirecTV acquired the ability to incorporate ESPN’s upcoming direct-to-consumer streaming service at an additional cost to its subscribers once it launches.

ESPN And Other Channels Return To DirecTV With A New Disney Deal After A Nearly 2-Week Blackout

The agreement occurred a few days after escalating tensions prompted DirecTV to file a complaint with the Federal Communications Commission, accusing Disney of bad-faith negotiations.

This is the second year in a row that Disney’s wrangling for programming rights has caused its networks to go dark on a pay-TV provider. Last year, Disney pulled its channels from Spectrum, the second largest cable-TV provider in the United States, for 12 days before settling the disagreement shortly before ESPN’s Monday Night Football start.

SOURCE | AP

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Annapurna Interactive’s Entire Staff has Resigned from the Company.

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(VOR News) – Annapurna’s entire interactive team has resigned from their positions as a result of disagreements within the firm regarding the direction that the company ought to go in the future.

These disagreements have been caused by internal conflicts. As a consequence of this, development partners are currently contemplating the impact that this will have on the projects that they are simultaneously working on during this time period.

It has been stated by Bloomberg that the resignations occurred as a result of conversations that took place between Megan Ellison, the creator of Annapurna, and Nathan Gary.

The president of Annapurna Interactive is the person in charge of the company.

These conversations took place when the two individuals were working together. If these negotiations had been successful in securing an agreement on a contract that would have resulted in the gaming sector being established as a distinct entity, then the gaming industry would have been divided into its own company.

As mentioned in the report, Ellison cancelled the negotiations, which resulted in Gary, division co-heads Deborah Mars and Nathan Vella, and the remaining members of the team departing the company.

The outcome of the negotiations was as follows: this was the result of the conclusion of the negotiations. Following the conclusion of further deliberations pertaining to the topic, the organisation made the statement that is shown below to Bloomberg.

“The Annapurna Interactive team, which consisted of twenty-five individuals, has collectively resigned from their positions,” according to the official announcement.

Given that this was one of the most challenging decisions we have ever been asked to make, we did not choose this particular course of action without giving it a great deal of thought and deliberation. This is because we were required to make this option.

As reported by Annapurna, the company has appointed Hector Sanchez, a former executive at Epic Games, to serve as the new president of interactive and new media.

Sanchez was appointed to this position by the company. Sanchez was given this job by the firm, which appointed him to it. It just so happened that the announcement that the company had formed a collaboration with Remedy coincided with the release of this information. Sanchez is likely to succeed Gary in that position.

Sanchez will take over as head of Annapurna Interactive from Gary.

Gary will be succeeded by Sanchez. Gary’s current responsibilities will be taken over by Sanchez in the near future.

Neither Jason Schreier, a writer for Bloomberg, nor Thomas Puha, a reporter for Remedy, claimed that the resignations did not result in any revisions to the arrangement that Remedy had with Annapurna. Both of these individuals are employed by Remedy.

In their respective statements, both of these persons indicated that the deal had not changed. These two individuals were referring to the statement that came before yours when they made their comments.

In addition, Ellison issued a statement in which he vowed to the other gaming partners that the company would honour the pledges that it had made to them. In order to accomplish this, he gave them assurance that the corporation would meet all of its commitments.

One of the statements that Ellison made during his presentation was as follows: “During this transition, our top priority is to continue to support our other partners in the publishing and development industries.” “We acknowledge and appreciate their contributions.”

We are dedicated to not only our current range of games but also to increasing our influence in the interactive realm as we actively seek chances to adopt a more cohesive strategy to linear and interactive storytelling across the domains of cinema and TV, gaming, and theatre.

With regard to the question of whether Gary and his coworkers will go their separate ways or establish their own company, there is presently no information that can be provided because there is no information accessible. This is because there is no information that is currently available.

SOURCE: Gamespot

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