Celebrity
Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie
Ethan Hawke and his daughter, Maya Hawke, have a running joke about their Flannery O’Connor film.
“Wildcat,” directed by Ethan and starring Maya as O’Connor, was created with genuine authenticity. It’s a deeply creative look at the Southern Catholic novelist and short story writer behind “A Good Man is Hard to Find,” weaving in and out of her imagination and actual life.
Lupus claimed O’Connor’s life in 1964, when she was 39. She won the National Book Award posthumously in 1972. Though she is well-known for her language and sharp social satire, she has recently faced criticism for racism in her private correspondence and her depiction of race in her work. It was a difficult but potentially rewarding region. However, the Hawkes can’t help but giggle as they imagine pitching to a major studio or streamer.
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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie
Here’s how things could go:
Maya: “We want to make a film about an unfortunate-looking woman with lupus.” She struggles with her beliefs and does not have any lovers.
Ethan: “She’s a really brilliant writer but she’s completely unsuccessful.”
Maya: “Also, her minor success has recently been utterly disregarded, and people are mostly concerned in deleting her from the canon these days. “What do you think?”
Jonathan: “Sounds like the makings of a commercial, hit movie!”
If it isn’t clear, “Wildcat” (in select theaters Friday) was produced independently. To flesh out the cast, both Hawkes relied largely on friends with whom they had previously collaborated. The large ensemble includes Laura Linney, Liam Neeson, Steve Zahn, and Vincent D’Onofrio, to mention a few.
Maya had the concept for a movie about the day she decided to devote her life to acting. Despite having two successful actresses as parents, including mother Uma Thurman, she had hesitated due to her passion of reading. She was concerned that if she attended Juilliard, she would be forced to choose a decision. So, in a little act of defiance, Maya decided to audition not with a monologue from the theatrical canon, but with one she had revised from O’Connor’s “Prayer Journal” with her father during his breaks while filming “The Magnificent Seven.”
“If I showed them that I was really interested in literature, and if then they still wanted me, then it would probably be a place that would still allow me to explore language and writing and poetry the way that I wanted,” Maya said. “What a rebel.”
Ethan had also read O’Connor early on, at the suggestion of his mother, who encouraged him to read female authors in addition to Faulkner and Hemingway. They were both drawn to this prickly woman who wrote about faith without preaching, as well as about race and white Christian hypocrisy, in a way that few others had. She was also talented, self-deprecating, and suffering with the sickness that killed her father. At 24, she received her diagnosis and returned to Milledgeville, Georgia, to live with her mother (portrayed by Linney).
Ethan has little interest in biopics, particularly “in the age of Wikipedia.” However, upon deciding to direct and co-write the film, he was inspired by films such as Martin Scorsese’s “Raging Bull” and Jane Campion’s “An Angel At My Table.” They were about real people, Jake LaMotta and Janet Frame, but they did not require any prior knowledge of boxing or literature. They were only films about individuals.
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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie
“(‘Wildcat’) is a kind of treatise on imagination, reality and faith and how those three things intersect with each other,” he remarked. “I’m not attempting to teach a college course on Flannery. We used her life experience as a starting point for a conversation.
“It begged the question: Do we want to make a film about someone who said some hurtful words at some point? What would it say about us if we did? And how do you become a decent anti-racist? Ethan said. “One of the things I realized was that you can’t create a story about America, past or present, without mentioning America’s wounds, crimes, and sins. One academic put it beautifully: Flannery O’Connor is a racist in rehabilitation, much like our society.
Maya pondered if depiction was always a celebration or if it could be an observation. She hopes it’s the latter, which she describes as a politeness that is frequently provided to films about complicated guys but may be less so when it comes to female characters.
Something remarked by novelist James McBride when Ethan was writing on “The Good Lord Bird” remained with him as well.
“He used to say how important it was that you don’t paint racists with horns on their head because people don’t have horns and racism is real,” Ethan added.
After much research and deliberation, they decided not to back down from the topic or defend her.
“I’m interested in this woman, and I’m interested in all the truths of her life,” he added.
“Wildcat” also served as inspiration for Maya’s upcoming album, “Chaos Angel” (due out May 31). The title and title track are based on a scene she shared with Philip Ettinger in which O’Connor discusses wrestling with her guardian angel.
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Ethan Hawke And Maya Hawke Have A Running Joke About ‘Wildcat,’ Their Flannery O’Connor Movie
“That idea really hit me in my gut,” Maya remarked. “We resist our better selves… As soon as we finished shooting the film, I went to make this album.”
Maya is now 25, the same age her father was when he finished “Before Sunrise” and was performing on stage in Chicago in Sam Shepard’s “Buried Child.” They are close and like-minded, frequently finishing one other’s words. However, Hawke admits that he is little envious of Maya’s musical abilities.
“There’s a part of me that has joked my whole life that all I really am is a failed musician,” he remarked. “All art strives to be music. It’s the simplest emotional connection we may form with one another. So, to see her thrive in this art form? I’m a little jealous of her for that.”
SOURCE – (AP)
Celebrity
2024| Judge Rejects Claims That Generative AI Tanked Political Conspiracy Case Against Fugees Rapper Pras
Washington – Pras, On Friday, a court denied a request for a fresh trial in a multimillion-dollar political conspiracy lawsuit against Fugees rapper Prakazrel “Pras” Michel.
U.S. District Judge Colleen Kollar-Kotelly determined that his defensedefense attorney’s employment of a generative AI software during closing arguments and other errors made throughout the Washington, D.C. trial did not constitute a substantial miscarriage of justice.
Judge Rejects Claims That Generative AI Tanked Political Conspiracy Case Against Fugees Rapper Pras
Michel was found guilty of ten counts after a jury heard testimony from witnesses, including actor Leonardo DiCaprio and former US Attorney General Jeff Sessions. On the most serious charges, he faces up to 20 years in prison. He is free until sentencing, which has yet to be decided.
The Grammy-winning rapper was accused of funneling money from a now-fugitive Malaysian financier through straw donors to Barack Obama’s 2012 reelection campaign, then attempting to deter a Justice Department investigation and influence an extradition case on behalf of China during the Trump administration.
The defense said Michel received lousy advice as he attempted to support himself while recreating himself in politics.
His defense attorney, David Kenner, who has previously represented rappers like Suge Knight and Snoop Dogg, pleaded guilty to leaking grand jury evidence to reporters.
Michel hired a new lawyer, who claimed Kenner had made several errors, including deploying an “experimental” generative AI software that botched closing arguments by misattributing a lyric from his client’s influential 1990s group.
Judge Rejects Claims That Generative AI Tanked Political Conspiracy Case Against Fugees Rapper Pras
Michel, however, failed to prove that Kenner’s handling of the case influenced the jury, according to Judge Kollar-Kotelly.
She accepted that some of Michel’s faults were valid, but they did not neutralise the prosecution’s extensive evidence against him or render the nearly month-long trial unfair.
Michel’s representative had no immediate comment on the ruling.
SOURCE | AP
Celebrity
Julian Ortega, Actor In Netflix’s ‘Elite’ Series, Dies Aged 41
Julian Ortega, a Spanish actor best known for his role in the popular Spanish-language Netflix drama series “Elite,” has died, according to the country’s actor and actress union. He was 41.
“Our deepest condolences to his family and friends,” the union said in a statement Monday.
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Julian Ortega, Actor In Netflix’s ‘Elite’ Series, Dies Aged 41
Ortega, the son of Spanish actress Gloria Muñoz, was born in Madrid in 1983. According to the organization, he attended acting school in the Spanish capital.
He began his career in Spanish-language films, including the 2000 drama “El Otro Barrio” (“The Other Side”) and the 2008 horror fantasy “La raíz del mal.”
He appeared in various Spanish television programs before becoming well-known internationally after appearing in six episodes of Netflix’s Elite.
Ortega played a restaurant manager in the murder-mystery-infused high school thriller, which follows privileged pupils at a prestigious school.
His most recent performances were in drama programs like “The Countryside” (formerly called “El Pueblo”) and “4 estrellas.”
“You were a great man; humble, always smiling, generous, and thoughtful…” I have a great colleague. “Thank you for everything,” wrote his “Countryside” co-star Ruth Diaz in an Instagram post.
Julian Ortega, Actor In Netflix’s ‘Elite’ Series, Dies Aged 41
According to the Spanish Theatre in Madrid, Ortega has worked on theatre ventures, including the 2021 play “Ira,” which he created and co-starred in with his mother.
The reason for the death has not been officially confirmed.
SOURCE | AP
Celebrity
Selena Gomez Reacts To Taylor Swift Cameo Rumors in ‘Only Murders in the Building’ S4
Selena Gomez has recently put a fun twist on rumors swirling about a potential cameo by Taylor Swift in the fourth season of Only Murders in the Building. In an interview with E! News, Gomez responded to the speculation with her signature humor and charm.
Laughing off the rumors, Gomez quipped, “You’re hilarious. She’s a little busy, you guys.”
Her playful tone continued as she added, “Oh dear, I love that,” while still chuckling. Gomez’s light-hearted response showcased her easy-going nature and her ability to handle fan speculation with grace.
Gomez’s co-stars, Steve Martin and Martin Short, also joined in on the playful banter. Martin, in a comedic twist, said, “Listen, she calls us every day. Here – she’s calling right now. Ahh I’ll take it later.”
‘Only Murders in the Building’ S4
Martin Short added to the jest, joking, “No, I was talking to Taylor around 3:00 a.m.” Their jokes highlighted the camaraderie and fun atmosphere among the cast.
Beyond the jokes, Martin took a moment to genuinely praise both Taylor Swift and Selena Gomez for their poise.
He commented, “Taylor Swift handles everything perfectly and so does Selena. In the situations I’ve seen—politically, trolls, everything—she just seems to have a wisdom about how to do something quietly, effortlessly.”
The interaction underscores not only the strong bond between the cast members but also their mutual respect and admiration for each other.
Gomez and Swift’s friendship, along with their shared ability to navigate public life with elegance, continues to be a topic of interest and admiration among fans and colleagues alike.
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