Celebrity
Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor
Rio de Janeiro – Madonna performed a free concert on Copacabana beach Saturday night, transforming Rio de Janeiro’s long stretch of sand into a gigantic dance floor packed with her followers.
It was the final performance of The Celebration Tour, her first retrospective, which began in October in London.
The “Queen of Pop” opened the event with her 1998 song, “Nothing Matters.” Huge cheers erupted from the humming, dense crowd against the barriers. Others had house parties in brightly lit flats and hotels overlooking the ocean. Helicopters and drones hovered overhead as motorboats and sailboats anchored off the beach crowded the bay.
Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor
“Here we are in the most beautiful place in the world,” Madonna, 65, addressed the audience. She pointed out the ocean view, the mountains, and the Christ the Redeemer statue overlooking the city, “This place is magic.”
Madonna performed her iconic classics, such as “Like A Virgin” and “Hung Up.” For the opening to “Like A Prayer,” her head was entirely covered in a black cape, and she held a rosary in her hands.
The diva paid an emotional homage to “all the bright lights” lost to AIDS while singing “Live to Tell,” with black and white photographs of those who perished from the illness flashing behind her.
Later, she was joined on stage by Brazilian musicians Anitta and Pabllo Vittar.
Rio spent the last few days preparing for the performance.
According to G1, an estimated 1.6 million people attended the show, which Rio City Hall’s tourism department organized. This is more than ten times Madonna’s record attendance of 130,000 at Paris’ Parc des Sceaux in 1987. Madonna’s official website promoted the event as the largest of her four-decade career.
In recent days, the excitement was evident. Fans gathered outside the grand, beachside Copacabana Palace hotel, where Madonna is staying, hoping to glimpse the music icon. During the sound check on the stage set up in front of the hotel, they danced on the beach.
By lunchtime Saturday, people had gathered in front of the hotel. A white-bearded man carried a banner that read, “Welcome Madonna, you are the best. I love you.”
Flags with “Madonna” printed over a background of Copacabana’s famous black and white waved sidewalk pattern were strung from balconies. The area was packed with street vendors and concertgoers dressed in themed T-shirts, sweating beneath the hot heat.
“Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, wearing a gold-colored cone bra and a black cap.
Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor
“It’s going to be an unforgettable show here in Copacabana,” said Oliveira Bohrer, a retired civil servant who lives nearby.
Eighteen sound towers were positioned around the beach to ensure all attendees could hear the music. Her two-hour presentation began at 10:37 p.m. local time, about 50 minutes behind schedule.
City Hall issued a report in April indicating that the event would contribute 293 million reals ($57 million) to the local economy. The Hotel Association of Rio predicted that hotel capacity in Copacabana will reach 98%. According to the platform, fans across Brazil, Argentina, and France booked Airbnb for the weekend. According to a City Hall statement, Rio’s international airport expected 170 flights from 27 locations between May 1 and May 6.
“It’s a unique opportunity to see Madonna, who knows if she’ll ever come back,” said Alessandro Augusto, 53, who flew in from Brazil’s Ceara state, almost 2,500 kilometers (1,555 miles) from Rio.
“Welcome Queen!” ran Heineken advertisements all across the city, the words above an image of an upturned bottle cap simulating a crown.
Heineken was one of many firms hoping to profit from the frenzy. Bars and restaurants made “Like a Virgin” cocktails. A downtown boutique famous for selling Carnival garb has entirely remade itself, loading its shelves with Madonna-themed costumes, fans, fanny packs, and lingerie.
According to local authorities, the mega-event was organized similarly to New Year’s Eve, when millions of people congregate on Copacabana for a fireworks display. That yearly festival is notorious for numerous thefts and muggings, and there were concerns that Madonna’s appearance would be no exception.
Rio’s security strategy comprised 3,200 military men and 1,500 civilian police officers on standby. In the run-up to the event, Brazil’s navy inspected yachts that wanted to position themselves offshore to see the performance.
Madonna’s Biggest-Ever Concert Transforms Rio’s Copacabana Beach Into A Massive Dance Floor
Several massive concerts have previously taken place on Copacabana beach, including Rod Stewart’s 1994 New Year’s Eve show, which drew more than 4 million people and was the largest free rock concert in history, according to Guinness World Records. Many of those spectators also came to witness Rio’s fireworks spectacular, so a more fitting comparison could be to the Rolling Stones in 2006, when 1.2 million people flocked to the sand, according to Rio’s military police, the daily Folha de Sao Paulo said at the time.
Ana Beatriz Soares, a fan who attended Copacabana on Saturday, said Madonna had left an indelible mark over the years.
“Madonna had to sprint so that modern pop musicians could walk. That’s why she’s significant, since she acts as an influence to today’s pop divas,” Soares explained.
“And that was forty years ago, not in 40 days, but in 40 months. “It’s been 40 years,” she said.
SOURCE – (AP)
Celebrity
Blake Lively #Metoo Claims Supported By New Lawsuit
Blake Lively’s claims that director and co-star Justin Baldoni launched a smear campaign against her have been supported by a new lawsuit filed by Baldoni’s former publicist.
Stephanie Jones, who has been representing Baldoni since 2017, filed the case on Tuesday in New York State Court in Manhattan.
According to the report, the actor and his film production firm, Wayfarer, extended their deal in 2020, agreeing to a $25,000 monthly fee.
The lawsuit said that Baldoni, 40, and Wayfarer teamed up with publicists last August, when the film was released, to try to “bury” and “destroy” Lively, fearing that reports of misogynistic and toxic on-set behavior while filming the love drama would ruin his reputation and career.
Jones requested unspecified damages from the defendants, including Jennifer Abel, a former employee who she claims was behind the campaign to harm Blake Lively and tarnish Jones’ reputation.
The lawsuit claims that Abel was fired after Jones discovered on August 21, 2024, that Abel had “stolen more than 70 proprietary and sensitive business documents and additional client leads” from Jones Works as she prepared to leave the firm to start her own publicity company, with Baldoni and Wayfarer as clients.
The lawsuit also claims that Abel collaborated with Melissa Nathan, a crisis management professional who previously represented actor Johnny Depp, in an attempt to influence and control media information damaging to Blake Lively and Jones.
Numerous text conversations included in the case were recovered from Abel’s corporate phone, which she returned to Jones Works after being fired, the Associated Press reported.
In response to a request for comment on Wednesday, Abel forwarded an email with screenshots of text communications between herself and Jones, as well as a July 26 email she sent to Jones, two weeks after declaring her intention to leave the company on August 23, 2024, during a Zoom call.
In the email, she said, in part: “I know this journey will not be easy, but I wish to keep you in my life as a mentor, friend, and close confidant because I honestly consider you family and would be lost without your support.
I want to assure you that, unlike others who have burnt you in the past, there is no ill will here.
She said further: “I have left a company before with grace and with my relationships intact, and that’s what I fully plan on, and hope for.”
Blake Lively, 37, filed a complaint with the California Civil Rights Department last week, a step that frequently precedes the filing of a lawsuit, alleging that Baldoni sought to harm her reputation after Lively and her husband Ryan Reynolds addressed “repeated sexual harassment” by Baldoni and a film producer.
Bryan Freedman, an attorney for Baldoni, Wayfarer Studios, and its reps, described the charges in Lively’s filing as “completely false, outrageous, and intentionally salacious.”
He denied Blake Lively’s claims of a planned effort, stating that the studio “proactively” employed a crisis manager “due to the multiple demands and threats made by Ms. Lively during production.”
A message addressed to Freedman on Wednesday seeking comment on Jones’ lawsuit was not immediately returned.
“It Ends With Us,” an adaptation of Colleen Hoover’s popular 2016 novel, defied box office estimates with a $50 million launch and eventual sales of $350 million.
Baldoni appeared in the telenovela parody “Jane the Virgin,” directed “Five Feet Apart,” and penned “Man Enough,” a book that challenges traditional ideals of masculinity.
Related news:
Blake Lively Accuses Justin Baldoni of Sexual Harassment
Celebrity
Burt the Huge Croc in Crocodile Dundee Dies at Age 90
Burt, the massive crocodile that rose to prominence with an appearance in the film “Crocodile Dundee” and continued to impress visitors with his fierce temper, died at the age of ninety. Staff at Darwin’s Crocosaurus Cove, where Burt had lived since 2008, confirmed his death.
The wildlife centre made a statement on Instagram: “It is with great regret that we announce the demise of Burt, the iconic saltwater crocodile and star of the Australian classic Crocodile Dundee.
“Burt passed away peacefully over the weekend, estimated to be over 90 years old, signaling the end of an incredible era,” American Crocodile News stated.
In the film, Mick Dundee (Hogan), wearing his now-famous Crocodile Dundee hat, leaves the Australian outback for the jungle of New York after meeting American reporter Sue Charlton (Kozlowski), who finally falls in love with him.
The crocodile is famously seen in the moment where Kozlowski’s character is assaulted while kneeling next to a creek.
Crocodile Dundee highest-grossing Australian picture
Crocasourus Cove described Burt, who was taken in the 1980s in the Northern Territory’s Reynolds River, as having a “bold” demeanor.
“Burt was a confirmed bachelor – an attitude he made clear during his earlier years at a crocodile farm,” the center said.
“His fiery temperament earned him the respect of his caretakers and visitors alike, as he embodied the raw and untamed spirit of the saltwater crocodile.”
“Burt was one of a kind.” He was more than simply a crocodile; he was a natural force, a reminder of the great creatures’ power and majesty.
“While his attitude may be tough, it was also what made him so unique and appreciated by those who worked with him and the thousands who came to see him over the years.
The statement ended with the following: “Visitors from around the globe marveled at his impressive size and commanding presence, especially at feeding time.”
Saltwater crocodiles can live for more than 70 years, especially in captivity.
Burt will be honored with a commemorative sign at the site, among some of the Crocodile Dundee 2 cast members.
Crocodile Dundee is the highest-grossing Australian picture of all time, earning $47,707,598 (Australian dollars).
It inspired two sequels, Crocodile Dundee II (1988) and Crocodile Dundee in Los Angeles (2001).
Hogan and Kozlowski married in 1990 and later divorced.
A documentary about the film’s production is anticipated to be released next year.
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Celebrity
Blake Lively Accuses Justin Baldoni of Sexual Harassment
In an 80-page complaint, Blake Lively accuses Justin Baldoni of sexual harassment and launching a smear campaign against her after she declined his approaches.Baldoni’s lawyer Bryan Freedman has denied Lively’s allegations, calling them “false, outrageous.
Blake Lively has filed a lawsuit against Justin Baldoni, charging the actor-director of inappropriate behavior and defamation related to their 2024 film, It Ends With Us. What was once thought to be a public relations campaign to promote the picture turned out to be a complaint.
Lively accuses sexual harassment, including unwanted kissing and sexual comments, throughout the filming. She further claims that Baldoni tried to tarnish her reputation after she declined his approaches.
Baldoni and his production firm, Wayfarer Studios, deny any charges regarding Blake Lively’s nude images or accusations.
Lively’s complaint targets not only director Justin Baldoni, but also key officials in his production firm and people accused of spreading false information about her.
This includes the film’s principal producer, Jamey Heath, Wayfarer co-owner Steve Sarowitz, and a number of others. Baldoni’s lawyer, Bryan Freedman, angrily disputes Lively’s charges, calling them “false, outrageous, and intentionally salacious,” according to Entertainment Weekly.
Baldoni created a toxic workplace
According to Freedman, the actress even neglected to appear on site and made disturbances throughout filming, resulting in the picture’s dismal performance, including “threatening not to show up to set, threatening not to promote the film, ultimately leading to its demise during release.”
The Gossip Girl star’s complaint claims that Justin Baldoni, producer Jamey Heath, and Wayfarer Studios “created a toxic workplace, ignored harassment complaints, and failed to protect the cast and crew.”
The dossier also claims that Baldoni recruited a public relations agency to create a revenge campaign before potential allegations were public.
According to the complaint copy received by People, Baldoni included sexually graphic and naked sequences, including those for an underage character, without Blake Lively’s agreement.
This contained a lengthy “virginity loss scene and an orgasm scene” that did not appear in the original work.
Blake Lively Nude
Baldoni allegedly asked intrusive questions regarding Lively’s intimate sexual encounters with her spouse, including questions about Blake Lively nude images, which she considered invasive and refused to address.
According to the lawsuit, while filming, Baldoni improvised physical intimacy with no previous discussion or choreography. This contained kissing sequences and a slow dance sequence.
According to People, one instance detailed in the complaint states that Baldoni “discreetly bit and sucked on Ms. Lively’s lower lip during a scene in which he improvised numerous kisses on each take.” He eventually “insisted” on shooting “over and over again.”
intrusive behaviours
Baldoni and producer Jamey Heath “repeatedly entered Lively’s trailer uninvited while she was undressed or breastfeeding her child.”
Baldoni and Heath put pressure on Lively to imitate full nudity during a birth scene, despite the fact that there was no prior agreement in the screenplay or contract.
Producer Jamey Heath allegedly showed Lively and her assistant a disturbing video of his wife giving birth without their consent.
Degrading remarks
Baldoni allegedly criticized Lively’s age and weight after giving birth, even phoning her trainer to encourage her to lose weight quickly.
He “often” described ladies in the office as “sexy”. To address the hostile work environment, a list of 30 protections was implemented.
Smear Campaign.
Prior to the film’s release, Baldoni allegedly orchestrated a smear campaign against Lively, afraid she might come out about her experiences.
Lively believes that her legal action would “pull back the curtain on these sinister retaliatory tactics” and protect others who report mistreatment.
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